Zhao Yong and other five families of Yuan Dynasty

[Zhao Yong, et al. The Five Paintings of the Yuan Dynasty]

The Five Paintings of the Yuan Dynasty, written by Zhao Yong, Wang Mian, Zhu Derun, Zhang Guan and Fang Congyi of the Yuan Dynasty
This volume includes five paintings of five painters of the Yuan Dynasty, which are similar in size. Later generations will frame them together into one volume
One of them is “The Painting of Fishing Boats in Songxi”, written by Zhao Yong of the Yuan Dynasty, with paper and ink pen, 30 cm vertically and 52.8 cm horizontally
The signature: “In February of the twentieth year of the Zhizheng era, I hope to see Zhongmu painting.” Seal “Zhongmu” and “Wei Family”. There are also poems inscribed by the Emperor Qianlong of the Qing Dynasty and seals for collection. The 20th year of Zhizheng was 1360, and Zhao Yong was 72 years old. The picture shows the two pines on the slope near the shore, the old people fishing in a boat, and the mountains far away from the horizon. The artistic conception is quiet and the ink is green
(II) The Painting of Plum Blossom, written by Wang Mian of the Yuan Dynasty, paper edition, ink brush, 31.9 cm in length and 50.9 cm in width
Self title: “Our family washes and grins the pond head trees, each with a white ink mark. No one praises the color, only the clear air fills the whole world. Wang Mian Yuanzhang is a good assistant.” Seal “Yuanzhang” and “descendants of King Wen”. There are also poems inscribed by the Emperor Qianlong of the Qing Dynasty and seals for collection. In the picture, a plum blossom appears horizontally, the branches are beautiful and the flowers are sparse and bright. Dye the petals with light ink, and then tick the calyx with thick ink. The ink color is clear and moist, and the high sentiment and interest overflow in the pen, which expresses the author’s thoughts and feelings of using ink plum to flaunt the purity and purity
It was collected by Liang Qingbiao, a Qing Dynasty scholar, and the Qing government, and described in Shiqu Treasure Collection
(III) The Painting of Boating in Songxi, written by Zhu Derun of the Yuan Dynasty, paper version, ink pen, 31.5cm in length and 52.6cm in width
Self title: “Ugly stone crouching at the foot of a tiger, long pine lying on the back of a dragon in the water. Test your eyesight and count to the top of Yunfeng. Zhu Zemin.” Seal “Zhu Zemin”. There are also poems inscribed by the Emperor Qianlong of the Qing Dynasty and seals for collection
The picture shows huge rocks and strange pines. The brush used for painting pine branches is crisp and quick, the slope stone texturing method is warm and moist, and the figure is drawn in line, and the pen is simple and meaningful
It was once collected by Shen Zhou of the Ming Dynasty and Anqi of the Qing Dynasty
(IV) The Painting of Wooden Cottage, Yuan Dynasty, Zhang Guan’s work, paper version, ink brush, 25.8 cm vertically and 59.6 cm horizontally
The signature: “In August of 1898, Zhang Guan made it.” There are also poems inscribed by Emperor Qianlong of the Qing Dynasty and seals collected by An Qijian. Zhizheng 1898 was the 18th year of the Zhizheng era of the Yuan Dynasty (1358)
The picture shows the old trees on the flat slope, the thatched cottages, the water is wide and the mountains are far away, and the scenery is elegant and quiet. The trees are combined with dots, and the slope stones are wet with ink. The painting style is inherited from Li Cheng and Guo Xi of the Northern Song Dynasty
(V) Landscape Painting, written by Fang Congyi of Yuan Dynasty, paper version, ink brush, 26.5cm in length and 45.3cm in width
The signature: “The square pot is made.” There are also poems inscribed by the Emperor Qianlong of the Qing Dynasty and the Ming Dynasty Xiang Yuanbian and other collections
Pictures of cottages in dense forests, small bridges and flowing water. The scene is full, the ink is thick and light, and the strokes are flexible and unrestrained.