Period:Unknown Production date:1914 (from seal)
Materials:paper
Technique:
Subjects:calligraphy
Dimensions:Height: 171 centimetres (with mount) Height: 104.80 centimetres (without mount) Width: 70 centimetres (with mount and roller) Width: 50.50 centimetres (without mount)
Description:
Hanging scroll, calligraphy. Six phrases of three characters each, in Kang’s eccentric style of ‘xingshu’ (‘running script’). Referring to the failed Hundred Days’ Reform of 1898, Kang wrote that he was at peace and had no regrets. Written in ink on paper. Signature and two seals.
IMG
![图片[1]-calligraphy; hanging scroll; painting BM-2002-0130-0.32-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00539283_001.jpg)
![图片[2]-calligraphy; hanging scroll; painting BM-2002-0130-0.32-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_RFC31484.jpg)
Comments:Kang Youwei was a proponent of democartic reform at the end of the Qing dynasty. His strong, eccentric calligraphy style inspired the calligraphers of the contemporary period, including Wang Nanming.
Materials:paper
Technique:
Subjects:calligraphy
Dimensions:Height: 171 centimetres (with mount) Height: 104.80 centimetres (without mount) Width: 70 centimetres (with mount and roller) Width: 50.50 centimetres (without mount)
Description:
Hanging scroll, calligraphy. Six phrases of three characters each, in Kang’s eccentric style of ‘xingshu’ (‘running script’). Referring to the failed Hundred Days’ Reform of 1898, Kang wrote that he was at peace and had no regrets. Written in ink on paper. Signature and two seals.
IMG
Comments:Kang Youwei was a proponent of democartic reform at the end of the Qing dynasty. His strong, eccentric calligraphy style inspired the calligraphers of the contemporary period, including Wang Nanming.
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
