Fu Baoshi Xiang Madame Map Axis

The “Xiang Madam Painting” axis, in modern times, is painted by Fu Baoshi in paper, with colors, 105.2 centimeters vertically and 60.8 centimeters horizontally.

This self question: “Madam Xiang, the emperor descends to the Beizhu, with his eyes so small as to be worried. The curling autumn wind, the waves in the Dongting under the leaves of the wood, the white apples riding on the horizon, and the festive season opening in the evening. Birds gather in the apple, and the sky is hanging on the wood. There are Zhi trees in the Yuan, Li trees in the Li, and Lan trees in the Si Gongzi, but I dare not speak. I am flustered and look afar, watching the flowing water rippling, what is the Mi in the courtyard, and what is the origin of the Jiaos? I gallop over the horses in the morning, I climb the river, and I reach the west in the evening.” “When I heard the call of a beautiful woman, I will die with Teng Xijia. Build a room.” In the water, repair it with a lotus cover. “Tsuen Bi Xi Zi Tan, sowing fragrant peppers Xi Cheng Tang.”. Guidong xi Lanxi, Xinyi mei xi pharmacy. The curtain is hanging like a tree, and the tree is stretched like a tree. The town is made of white jade, the fragrant orchid is made of sparse stone, the lotus house is made of Zhi Xiu, and the Du Heng is made of Qi. A hundred grasses make a solid courtyard, and a fragrant veranda gate is built. The colorful Jiuyi River welcomes you, and the spirit comes like a cloud. Donate more clothes to the river, and leave more clothes to the Lipu. Du Ruo, who lives in the state of Quting, will leave behind those who are far away. Time cannot come suddenly, chatting freely and freely
Qu Yuan’s Nine Songs have been written by painters since ancient times. Long Mian, Li Boshi, and Zi Ang, Zhao Mengfu, their wonderful works are particularly brilliant in the sky and earth. “I have long wanted to engage, but I am ashamed of not being able to do so.”. Today, my little daughter Yishan was on her birthday around the corner, and suddenly she and her wife, Shi Hui, came out to read the Chu Ci, saying, ‘The wind is curling in the autumn, the waves are falling under the leaves of wood in the Dongting.’ They couldn’t help but be speechless. At this time, the strong enemy was spreading flames between the Yuan and Li rivers. Because the phasor is written here, the first words are captured as a graph. “The variety of clothing for the wife is a gain or loss in the history of Gu Kai’s daughter’s admonition.”. The Chinese ink treasure is solid in the clouds. On November 21st, during the Guiwei period of the Republic of China, it was recorded that the King Kong Slope in the western suburb of Chongqing went downhill to study. New Yu Fu Baoshi Seal “Baoshi Italy” white text square seal, “Yinchi” Zhu text rectangular seal, “Xinyu” Zhu text oval seal, and “Qiming Weixin” Zhu text square seal
Guiwei was born in 1943
There is also Guo Moruo’s question: “The Huilan in Yuanxiang is burning today, so don’t worry about the death of this king. Who can talk about being independent? The autumn leaves of wutong trees fall in succession. The wife is determined to leave the Xiangshui River, and feel Qu Ping. Don’t tell me that the beauty of the moon is empty, and she is generous to go to seclusion. Brother Enlai flew from Yan’an to Chongqing on November 10. The 16th is the first day of the remaining 53 years. He came to the countryside to live in a small collection of friendly people. Brother Bao Shi, Can Ran, and other brothers show their near system. Brother Enlai obtained this” Picture of Madam Xiang ” Will be brought back to northern Shaanxi. Yu Sixiang’s territory has been occupied. Madam Xiang must be glad to participate in guerrilla warfare. November 20th, 33. “Guo Moruo.” The seal is “the seal of Mo Ruo”, with a square seal in Zhu text, and a rectangular seal in white text, with a scholar in the army
The 33rd year of the Republic of China was 1944
Fu Baoshi valued Qu Yuan, whose poetry was the painter’s favorite literary work, and thus became the object of expression for painters. In “Nine Songs”, Xiang Jun and Xiang Madam were originally the two daughters of the legendary Emperor Yao. Later, people recognized them as the gods of Xiang water and respected them. Fu Baoshi has repeatedly drawn the image of the Second Daughter, immersing himself in it and enjoying it
This picture is the first time that an artist has painted this subject, and it is particularly precious. Before his painting, he said that it was during the invasion and disturbance of Hunan by Japanese invaders. As he shared the poetry of Chu with his wife, he saw the verses in “Madam Xiang”, and his heart was filled with hatred for foreign enemies, bitter yearning for the land, and feelings of Li Shu. Therefore, he jointly carefully conceived this painting of Madam Xiang with rustling autumn winds and falling leaves. In the picture, Madam Xiang stands silently under a tree, dignified and graceful, with only a large number of fallen leaves dancing around. “The eyes are the windows of the heart, the eyes of Madam Xiang. The artist first outlined them in light ink, gradually deepening, and forming multi-level changes in ink color. The deep and dynamic eyes leap onto the paper, capturing the soul.”. The lines of the clothing pattern are natural and smooth, without any sense of stagnation. They not only show the dynamics of the characters, but also convey the charm of the characters, which is extremely successful. The layout of the screen is simple, tightly adhering to the sentence “curling autumn wind, the Dongting waves under the wooden leaves”. People look at the beautiful scenery, enjoy the wind and spirit, and the leaves look forward to the back, with a delicate density, simplicity and flavor, simplicity and vividness, making it a masterpiece
As can be seen from Guo Moruo’s inscription and postscript, on November 16th, 1944, on Guo’s birthday, colleagues from the Political Department of the Military Commission of the National Government, painters Fu Baoshi, Li Keran, and others came to the Guo family to celebrate their birthday. It was at the same time that Zhou Enlai, then deputy director of the Political Department of the Third Department, came to visit Guo Moruo, and they shared their appreciation of the recent works of the painters. Because this picture was deeply loved by Zhou Enlai, Fu Baoshi generously presented it to him. Later, Guo wrote two of the seven unique poems in calligraphy, both expressing indignation at the crimes of the Japanese aggressors and comparing Madam Xiang to a generous and dedicated heroine, highlighting the painter’s good intentions in painting Madam Xiang