Fu Baoshi Dongshan Carries Ji Map Axis

[Axis of Fu Baoshi Carrying My Concubine on Dongshan Mountain]

Axis of the “Map of Carrying My Concubine on Dongshan Mountain”, in modern times, painted by Fu Baoshi, in paper, with colors, 104.8 centimeters vertically and 57.5 centimeters horizontally
The title of this painting is: “On March 20th, in the western suburbs of Chongqing, on the foot of the King Kong Slope. Fu Baoshi wrote it.” The seal was “The Seal of Holding the Stone”, and the square seal was written in white, while the rectangular seal was “Often Drunken”, and the rectangular seal was written in Zhu
Yiyou was born in 1945
“Dongshan” refers to Xie An, a famous scholar in the Eastern Jin Dynasty, who was born in Yangxia (now Taikang, Henan Province), Chenjun, and was named Anshi. Born in a famous family, he has a sharp and profound mind, a calm and calm manner, and an elegant and unrestrained demeanor. When he was young, he was very famous and had been called up by the imperial court. He used illness as an excuse to refuse. Later, he simply lived in seclusion in Dongshan Mountain, Kuaiji, Zhejiang Province, and frequently socialized with famous scholars and monks such as Wang Xizhi, Xu Xun, and Zhidaolin. When he went out, he fished in the mountains and rivers, while when he entered, he chanted religious texts, and accompanied prostitutes and musicians to travel in the mountains and forests for over 20 years. In addition, the culture of long-term immersion in the confluence of metaphysics, Buddhism, and Taoism has made Xie An’s movements and stops quite a bit of a reclusive person. Later generations all valued his experience of indulging in the leisurely life of lakes and mountains, silk and bamboo vocal music, and enjoying the open feelings of family and friendship. Therefore, whether singing poetry or drawing pictures, they were often used as materials
Xie Dongshan, depicted by Fu Baoshi, is elegant and handsome, with a graceful demeanor, wide robes and sleeves, exuding a high spirit. Behind her, the two women whispered, looking forward to life. The picture depicts a reclusive person, showing the painter’s yearning for a relaxed and comfortable life, which is free from tiredness, and a realm of detachment from worldly affairs and independence from the rest of the world
This picture is donated by Mrs. Fu Baoshi, Luo Shihui