“Shu Mountain Painting Axis of Fu Baoshi”
“Shu Mountain Painting” axis, modern times, Fu Baoshi painting, paper version, color setting, vertical 57.2 cm, horizontal 44.8 cm
The title of this painting is: “In the autumn and July of Yiyou, Fu Baoshi was in the western suburbs of Chongqing.” The seal is “Fu Baoshi Seal”, with the seal of Bai Wenfang, and “Bao Shi Zhai”, with the seal of Zhu Wenfang
Yiyou was born in 1945
The towering mountains occupy most of the screen, highlighting the majestic momentum. The misty atmosphere permeates everywhere, which is a true description of the mountains and rivers of Sichuan. In the picture, dyeing is used instead of texturing, and a large area of rich and varied ink colors are integrated with cyan and light green, which perfectly demonstrates the alternate weather of overcast and sunny days in Sichuan and the endless mountain scenery of the wild and boundless, with a sense of being close to a thousand miles
When discussing painting techniques with his son Er Shi, Fu Baoshi mentioned that his habit was to use large brushes when painting landscapes, even if the painting was not large, because large brushes and small brushes produced different effects. After practice, Ershi summarized that the larger the pen, the greater the user’s kung fu and courage are required; The smaller the paper, the smaller the world in the painting. Painting with a large amount of ink can leave a powerful and bold touch, and visually convey a sense of comfort and joy. Looking at this picture, I believe its words
This picture is donated by Mrs. Fu Baoshi, Luo Shihui
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