[Enamel figure pot]
Enamel figure pot, bright, 35cm high, 20cm caliber, 23cm foot diameter
Can has round lips, short neck, full shoulders, bulging belly, thin shins (j ì ng yin jing), and lean feet. The tank body has obvious joint marks. Full body enamel decoration. The pattern is arranged in four layers from top to bottom. The neck is decorated with cloud patterns, the shoulder is decorated with Ruyi cloud head patterns, the abdomen is painted with fairy pavilions, the surrounding is supplemented with cloud patterns, and the foot is decorated with deformed lotus petal patterns, with Ruyi head inside. There is no glaze on the base plain tire. No style
The convex lines on the body of the instrument are well outlined, forming a concave, flat and convex three-dimensional pattern, which has both neat pattern characteristics and traditional painting effects
The enamel flower is a low-temperature glazed pottery that has been fired twice after being decorated by means of decals, plastic piling and hollowing out. It absorbs the asphalt paint method used in murals. First, a special slurry bag with tubes is used to draw the outline of the raised pattern on the plain fired pottery, and then the plain fired pottery is filled with various colors of glaze in the outline, and then baked in the kiln. Enamel flowers were created and burned in the Yuan Dynasty, prevailed in the Ming Dynasty, and gradually declined in the Qing Dynasty. It is mainly produced in southern Shanxi. The main color glazes of its products are yellow, green, blue and purple. The background colors are mostly malachite green and malachite blue, and rarely black. The enamel flower was originally made of pottery, which was successfully copied by Jingdezhen in the Ming and Qing dynasties. Its chemical composition is basically the same as that of the glaze, belonging to a system. The difference is that the glaze uses lead oxide as the main flux, while the enamel glaze uses tooth nitrate (KNO3) as the main flux. Most of the handed down and unearthed enamel flower wares are incense burners, bottles, pots or Buddha figures, and there are few living utensils
Enamel ware is the best in the Ming Dynasty. Its main decorative patterns are common folk figures, flowers and birds. In addition to stacking plastic, they also use knives to carve decoration, so as to form three-dimensional patterns on the surface of utensils.
珐花人物纹罐底部