Wang Lizhong’s calligraphy of King Lanling

[Wang Lizhong’s Running Script of the Songs of the King of Lanling]

The Songs of the King of Lanling, written by Wang Lizhong in the year from the Yuan Dynasty to the Zhengyuan Dynasty (1341). Paper, album, 27.2 cm in length and 43.4 cm in width. Running script, 19 lines, 208 words in total
Interpretation:
In the early spring, Cheng Jiazhang sang and sighed. Although he tried to imitate, he failed. I am lucky to have a feeling of feeling in my heart because I have a long view. I filled in the solution of King Lanling and sent it to Ji Yeyin and Li Li to laugh with me. Wu Gengdi and Wang Lizhong bowed down. Fu Ruhan learned from Brother Jiuqi: The grass is green, and the spring is full of sorrow. It will last for a long time, with infinite feelings. The scale of information is broken, and the sky is far away. At Guanqing, I still miss the old trip, and the solitary guest drifts to the riverside post. At that time, Manzeng calendar. Chanting the pavilion to the water bank, dropping the clogs from the flowers, and accompanying you with the paper. It’s always too late to know when you walk along the bamboo path and overlook the city bridge. Early promotion of plastic color. He cherishes the wild poison and is very white. If he wants to send his love, it is difficult to visit the historical records. The east wind does not reach the side of the Qin Tower. The moon pavilion is quiet, the rain windows are bleak, and the weeping willows are still there. Like a dream, dark embroidered Mo. It was changed to April 26
The seal is “Wang Lizhong” and “Yan Qiang”. Seal An Qi, Heng Yong, etc
This post is a gift of “King Lanling”, written by Wang Lizhong, according to the rhyme of “Confucianism and Hanxue” when he ascended high and looked far. It is a reward of literati poetry. “Fu Ru Han Xue” refers to Shao Hengzhen. Shao Shi is also good at filling words. There are four volumes of “Selected Moth Words”. Wang Lizhong’s ink is rare in the world. The calligraphy of this calligraphy is based on the stroke of Mi Fu’s knot character, supplemented by the gentle and simple style, which has a light and soothing flavor and is consistent with the trend of the retro calligraphy at the end of the Yuan Dynasty
The description of Moyuan Huiguan and Renyin Xiaoxia.