Yu He’s running script is the final version of the Orchid Pavilion

[Yu He’s running script, Lin Ding Wu Ben Lanting Volume]

Lin Ding Wu Ben Lanting Volume, Yuan, Yu He’s running script, paper version, 26.7cm in length and 83.7cm in width

This post is Preface to Orchid Pavilion, written by Yu Helin Song Tuoding

Interpretation (omitted)

The signature: “At the age of 20, on the 13th day of Mengxia, the Gengzi, Yu Hezhong, born of Zizhi in Tongjiang, was near the Kangyuan Garden in Huanggang.” The three seals of “Yu He”, “Zizhi Sheng” and “Special Health Medicine” were stamped under the signature. The initial seal is “Qingyin” and “Jingxue”
The seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of
Yu He wrote a poem in cursive script with the following words: “On the right, Zhang Zhenju wrote a poem about Gao Shilang’s landscape painting and rhyme, and Yu Linwei wrote a play book on the back, so that the audience could discuss it.” Yu He sealed one side privately. Gao Shilang is Gao Kegong, with the name of Yanjing and the name of Fangshan Old Man. He is good at painting landscapes. Zhang Zhenju is Zhang Yu, also known as Boyu and Tianyu, and also known as Zhenjuzi. He is good at cursive writing
Before the post, Wang Shu and Wang Wenzhi of the Qing Dynasty wrote the inscription in regular script respectively: “Yu Zizhi of the Yuan Dynasty wrote the original copy of the post.”
After the post, there were six inscriptions, namely, Chen Jiru of the Ming Dynasty, Wang Shu of the Qing Dynasty, Shu Shunfu, Wang Wenzhi, Wu Yun, and Fei Nianzi
This post was posted in the 20th year of the Zhizheng era of the Yuan Dynasty (1360). Yu He was 54 years old. His calligraphic stipplings are deliberate and meticulous, and his strokes are vigorous, and there are no irregularities involved in the transition, but they are stiff and stiff at the end, and a little lack of style. The cursive chapter is natural and vivid, and the lines stretch and elegant
In the Qing Dynasty, Gu Wenbin’s “Calligraphy and Painting Records of Crossing the Cloud Tower”, Miao Rizao’s “Allegory Record”, An Qi’s “Moyuan Huiguan”, Wu Sheng’s “Grand View Record”, and Xu Kang’s “Dream of the Past” are recorded.