Yu He’s own volume of poems in running script

[Yu He Xingshu Self-written Poems Volume]

Self-written Poems Volume, Yuan Dynasty, Yu He Shu, Xingshu, paper version, 28.8 cm vertically and 216.7 cm horizontally
Yu He’s Self-written Poems volume interpretation:
Lu Xiucai sat quietly in the spring, the new pond, the rain and the fresh water, and looked at the flowers through the window like a beauty. The sun rose slowly, and the birds were singing more. Self-pity Hua Fa is in Haiqiao, who will obey the mountain people. The hometown is filthy and has to drink from innocence. In winter, he and his friend Jinzishang traveled to the West Garden of Jia’s to see the pear trees. People in Zizhi Mountain had nothing to admire, and they took a leisurely walk at the head of the mountain. Mr. Huang Xuan was pleased to see that his disciples invited him to Xipu. Pear trees in the garden are like big toons, and the century-old branches and stems have high rotifers. Sir, I was surprised to see disciple Xi, and I also admired the wasteland. If the east wind is to be broken, we will still be drunk. Ten thousand white clouds are in bloom, and the pale moon is more elegant. The beauty of washing makeup is beyond spring, and the beauty of Xu Xi writes. Only now, in the frost, snow and bitter cold, sweep away the homestead and drive the garden boy. There is no need for people to cut the trees in the remote place. Sometimes they peel (point) the trees to find green insects. The second time, Shunchen Ye visited the Tzu Chi Master Yue with a poetic charm and a zither to meet each other. Huiyuan has a winning feeling. The reclusive person (click to go) still sings (this word is hooked) Zizhiqu, forgets the opportunity and is willing to bear the White Gull Alliance. The rain at the head of the city has cleared the steps, and the wind at the bottom of the tree has cleared several seats. I have been enjoying Zen for many years. Titi, the new residence in the middle of the book, is next to Ye Shunchen in the deep and secluded place of the Chinese wood in the rhyme meditation room. Every time I see oriole, I can speak twice. A newly constructed room is snow-colored, and the shade is half open on three sides. Yucha couplets lead the tripod, cut the candle and turn over the jar with wild goose feet. Qingsheng wins the dust and mundane affairs, and the green flowers are playing in the sky. The title of Zhang Yushi’s portrait is Wu Shan’s feather guest, Penglai couple, experiencing the world between the green pines and white rocks. Refine and return the pills to fly in the daytime, and relax with the wild clouds. The person who visited the Tianlong Temple’s secondary bamboo slips, the poem rhyme of Jiang Guoyou, came to find the battle strategy, and the dragon flying and phoenix dancing began to draw pictures. And from listening to the law to stay in Xiao Temple, I want to go up to the ancient platform. Xiao Ao may as well have snow on his temples, but when he arrives, he feels his heart gray. Who has spoken with him since the rise and fall of the century. You feel at Lingyin Temple. It shows that you visit Dabing with the head of the Zhen Elder Xiaoduo Peak. There is no retro smoke in the cliff. In the past, the ape howled and the moon was heard, and the ancient tree is now spreading. Linggu has changed into a small plunder. When was Linquan’s retreat. Let me try the water in front of the pavilion. A drop of Caoxi asked the old Zen. When Shen Sile saw the bamboo planting house in Xintang sent to my home, someone knocked at the door when he asked. The sky breeze turns the emerald feathers in the day, and the sea moon shines on the coral roots at night. Oh, poetry and politics are forced to force the side, and to treat the guests with cold and warm. He poured hundreds of bottles of wine into the plum blossom village with Ziri
There is no seal at the end of this poem volume. Only one side of the first poem has Yu Heqian’s “father seal in the son”
At the back of the volume is the inscription of Xiang Yuanbian of the Ming Dynasty and the number of “Si”, and the postscript of Chen Jingzong, Zhou Shouchang of the Qing Dynasty, Zhao Liewen, and Fei Nianzi. The seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal
The volume of Self-written Poems is composed of eight poems written by Yu He himself and written by him in seven words. It describes the scenes of his worshipping monks, visiting friends and touring landscapes. The first poem in this book, “Sitting in the Spring of Lu Xiucai”, has been written by Yu Shi more than once. The first poem in the volume of “Miscellaneous Poems” written by Yu Shi is also this poem, which is his favorite work, so it is often written by people. Yu Hezhi’s calligraphy has a solid structure and profound skill. He learns from Zhao Mengfu in his later years. Chen Jingzong praised in his postscript: “Yu Zizhi’s handwriting is clear and graceful, and the posture is gentle, and the cover has the spirit of Zhao Songxue, so it can’t distinguish the true from the false, and it is lovely.” This scroll of poetry was once collected by Xiang Yuanbian of the Ming Dynasty and Chen Zishou of the Qing Dynasty, and entered the inner mansion during the reign of Qianlong of the Qing Dynasty. Bian Yongyu of the Qing Dynasty recorded in “Collection of Paintings and Calligraphy in Shigutang” and “Collection of Monuments” by Anqi.