Zhao Mengfu’s running script was looking for Li Yuan’s poem volume

[Zhao Mengfu’s Xingshu Xixun Li Yuan Poems Volume]

Xixun Li Yuan Poems Volume, Yuan Dynasty, Zhao Mengfu’s script, paper version, Xingshu, 30 cm in length and 99.5 cm in width
Interpretation:
In the past, Li Xun was willing to go to Pangu to see the opening of Cang Ya Ju Pi. It is the new sunny day when the well overflows. Who leans his sword against Taihang. The wind broke the sky, and the rain fell in Luoyang in the daytime. To the east, Yanchuan feeds on the wilderness, and there is a basket full of fern teeth. The depth of the Matou River cannot be more than [0161], and the water in the tank is borrowed from the vehicle. The green waves in the flat sand cover the square mouth, and the wild geese and ducks fly up and wear the weeping willows. The poor scout is quite unruly, and the sun and moon are not busy. Who is willing to do the hard work when you come back? It is impossible to go back. It snowed in Chang’an on the third day of my leisure, and I pushed books and wrote songs generously. There are no heroes to send to him. I can recall Lu Laoshi’s madness. When I opened my mouth, I suddenly saw my work, and all the words on the paper were dignified. It was also known that Hou Li ignored, and Fang Dong entered Cuiweicang alone. How long will I go forward or backward? Ten years of foolishness will follow me. If you don’t report it to the official at home, it’s just like the bird and mouse steal Taicang. The bank drew a hand to pay the prime minister, not waiting for impeachment. Zi Ang
The last paragraph belongs to “Zi Ang”. Seal “Zhao Ziang” and “Song Xuezhai”. There are the seals of Qianlong and Jiaqing in the Qing Dynasty, and the seals of Sun Yufeng
Qing Anqi’s “Moyuan Huiguan” and “Shiqu Baoji Continuation” are described
This is a poem written by Zhao Mengfu, Han Yu of Tang Dynasty, “Lu Lang Zhongyun Fu sent two chapters of Pangu Zi’s poem to reconcile it.” This poem is bound together with four paragraphs of Zhao Mengfu’s letter “With the State Guests”, Yang Weizhen’s “Ode to the Immortals” and Wei Su’s “The Story of Chen’s Fangcun Mansion” in a volume of 24 lines
The style of this poem is rich and changeable. At the beginning, it was more rigorous, with lines in regular script. Later, it was written with grass in the lines. The strokes were vigorous and thick, and the strokes and turns were clearly explained. It should be the masterpiece of Zhao Mengfu’s calligraphy in his later years.