Xian Yushu wrote the poem volume of Zhaoling in Du Gongbu

[Xianyushu Xingshu, Du Gongbu Xingci Zhaoling Poems]

“Du Gongbu Xingci Zhaoling Poems” volume, Yuan, Xianyushu, paper, Xingshu, 32 cm vertical and 342 cm horizontal
Narration: The old custom is tired of being a mediocre master. He who sneers at the nature of dragons and phoenixes will be determined by the power of tigers and wolves. The sky belongs to the reverence of Yao, and the divine arts assist Yu and Mo. The wind and cloud follow the foot, and the sun and moon follow the high road. Many cultural relics are from ancient times, and the imperial court is half old Confucian. Straight words are better to kill and humiliate, but the virtuous path is not rugged. The last disaster still came, and the people were still breathing. The commander leads the earth and cleans up the flood furnace. The heroes mourn the mausoleum, and the secluded people worship the Dinghu Lake. The jade clothes lift themselves in the morning, and the iron horse sweat grows. The pines and cypresses look at the empty hall, and the dust and sand stand on the dark path. On the lonely founding day, I hate the corner of the mountain. The Right Ministry of Labor wrote poems about Zhaoling, and was trapped in learning folk books
At the end of the book, “The Right Ministry of Industry wrote the poems of Zhaoling, which were difficult to learn from the people.” The seal was “Xianyu”, “Baiji Seal”, “Descendants of Jizi”, “Hidden Officials in the Tiger Forest”, and “Descendants of Zhongshan”. At the end of the volume are Wang Yi and Song Lian. The seal collection includes the seals of Qianlong, Jiaqing and Xuantong of the Qing Dynasty, and the seals of Liang Qingbiao, Song Lian and Wang Yi
This is Du Fu’s five-character poem “Xingci Zhaoling Poem” written by Xian Yushu in running script. Du Fu is a famous representative of realistic poetry in the Tang Dynasty. Most of his works are related to the regime at that time. This poem is also full of concern about the rise and fall of the country
The style of this post is sparse and clear, and the style is vigorous, which is in line with Xianyushu’s personal temperament. As Liu Guan commented, “The public is determined to be a beautiful doctor, with a magnificent face. Every time he is drunk, he is unrestrained, and he waves his hair and knots his words. His strange manner is rampant, and his momentum is irresistible.” This volume is the representative work of Xian Yushu’s large calligraphy
Ming Gu Fu’s “Life is Magnificent” Volume IV, Qing Dynasty’s “First Edition of Shiqu Treasure Collection” Volume III, and the “Lost Calligraphy and Painting Catalogue of the Forbidden City” description.