Su Shi’s running script celebrates the new year, and people come to write and paste together

[Sushi Xingshu Xinsui Zhanqing, Renlai Shutie]

“Xinsui Zhanqing, Renlai Shutie”, a volume of the Northern Song Dynasty, Sushi Shutie, paper version, Xingshu, front version 30.2 cm, horizontal version 48.8 cm, back version 29.5 cm, horizontal version 45.1 cm
Interpretation of the New Year Exhibition and Celebration Post:
Shi Qi: The New Year has not been celebrated, and the congratulations are endless. How about living on a sunny day? From a few days, there will be a long way to go. When can we enter the city. Yesterday, I got a letter from the public. It’s OK to go over the yuan. I came here at the end of the month. How about that? The construction has not been completed yet. Shi also couldn’t come out, so he didn’t have the chance to accompany him for a night trip. Sand Fang painted cage, accompanied by Chen Long’s boat for the first time every night, and now, accompanied by the poor paste. Here is a coppersmith who wants to borrow the Jianzhou wooden tea mortar and merge it with the vertebral body, and try to make it according to the sample. It is also suitable for people in central Fujian, or it may be seen, so you can buy a pair there. When beggars pay people, they take care of them. Yu Han begged more to take care of himself. He would not be sincere in the process of being redundant. His Excellency Mr. Ji Chang. The second day of the first month
Ziyou also said (the marginal note of this word) that Fang Ziming was not surprised. It was not Liu Zhong who had come home and said that he had not yet been comforted, and he also told to extend his intention. Liu Zhang received the book yesterday, and I was grateful for it. Don’t be sad to know that the mural is broken. However, I don’t worry about having good paintings under my new house
Explanatory notes of Renlai Shu Tie:
Shi Qi: Renlai Shu. Unexpectedly, Bocheng came here suddenly, and was shocked. Great talent makes virtue, but not one hundred reports. Ji often confides in his brother, and Bo Cheng knows him well. There is no business to hear. If you don’t pay attention to your family’s orders, you can’t think of the three sons, and you don’t know what you want to hear, then your friend’s worries are immeasurable. Fu Weishen follows the common principle of gathering and dispersing dead and living, realizes the futility of sorrow and sorrow, and exhorts himself with relief, so that he can go far. Shi Meng’s exposure to the light is so thick that he must be deeply aware of what he said. I would like to comfort my face, but I am afraid that it will be more disorderly in sorrow. I will not be arrogant in advance and retreat, but I will be lenient. No one. Shi paid his respects again
Another paper running script: If you know that it will be held on the 29th, you can’t cry for its spirit. A load of wine is a sprinkling. Pain, pain
The “New Year Exhibition” and “People’s Book” are mounted in the same volume. There is Dong Qichang postscript behind the volume. There are “imperial seal”, “imperial treasure painting”, Xiang Yuanbian seals, and Anqi seals in the collection
These two posts are both letters written by Su Shi to Chen Pian (Ji Chang). The New Year Exhibition Celebration Post is about meeting Chen Pian and Gong Cai (Li Chang) in Huangzhou during the same period of the Shang Yuan Dynasty; The “Ren Lai Shu Tie” was written to comfort Chen Shao on the death of his brother Bo Cheng
The Preface to the Five Songs of Qiting in Volume 50 of Dongpo Collection records the meeting between Su Shi and Chen Di when he was relegated to Huangzhou in May of the third year of Yuanfeng in the Northern Song Dynasty (1080). There are also 16 letters written by Su Shi to Chen Shao in the Dongpo Collection, which are all written in Huangzhou. The time written in the New Year Exhibition and Celebration Postscript (the first yuan) is the same as the time and reason recorded in the Preface to the Five Prefaces to Qiting “See you next year”, while Song Fuzao’s “Chronology of Dongpo” records that Dongpo was “Xinyou in Huangzhou in the fourth year of Yuanfeng, and went to Qiting on the 20th of the first month”. It can be inferred from the above records that the “New Year Exhibition and Celebration” should be written in the spring of the fourth year of Yuanfeng (1081) of the Northern Song Dynasty, when Su Shi was 44 years old. This post has detailed textual research in Mr. Xu Bangda’s “Records of Ancient Calligraphy and Painting”
When Su Shi was in Huangzhou, he exchanged letters with Chen Piao frequently, and he often mentioned Chen Piao in his letters with others, which shows that the friendship between them is profound
The “New Year’s Exhibition” and “People’s Coming Book” are written naturally and smoothly, with charm and elegance and careful intention. Although it is a book, it is written very exquisitely. The entry, closing and implicated strokes of the characters are clearly explained. It is a masterpiece of Su Shi from an early book to a middle-aged book
Description of Moyuan Huiguan and Daguanlu.

《苏轼行书新岁展庆、人来得书帖》合卷