Period:Unknown Production date:2ndC-3rdC (circa)
Materials:fired clay
Technique:wheel-thrown, incised, appliqué,
Dimensions:Height: 8.89 centimetres
Description:
Fragmentary clay vessel with appliqué decoration. This is part of the neck and body of a wheel-thrown ceramic vessel. The outside was decorated with incised lines and stamped concentric circles. Three figures of dancers, arms held above the heads with palms together, have been applied to the neck of the vessel. The body was decorated with appliqué plaques in the shape of lion’s faces. Remains of four (?) handles can still be seen.
IMG
![图片[1]-vessel; figure BM-1902-1220.195-China Archive](https://chinaarchive.net/Unknown/43/mid_01152866_001.jpg)
![图片[2]-vessel; figure BM-1902-1220.195-China Archive](https://chinaarchive.net/Unknown/43/mid_01152874_001.jpg)
![图片[3]-vessel; figure BM-1902-1220.195-China Archive](https://chinaarchive.net/Unknown/43/mid_01152880_001.jpg)
Comments:
Materials:fired clay
Technique:wheel-thrown, incised, appliqué,
Dimensions:Height: 8.89 centimetres
Description:
Fragmentary clay vessel with appliqué decoration. This is part of the neck and body of a wheel-thrown ceramic vessel. The outside was decorated with incised lines and stamped concentric circles. Three figures of dancers, arms held above the heads with palms together, have been applied to the neck of the vessel. The body was decorated with appliqué plaques in the shape of lion’s faces. Remains of four (?) handles can still be seen.
IMG
Comments:
© Copyright
The copyright of the article belongs to the author, please keep the original link for reprinting.
THE END
![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
