Period:Unknown Production date:1912 (landscapes)
Materials:silk
Technique:
Subjects:landscape
Dimensions:Height: 21.20 centimetres Width: 458.90 centimetres
Description:
Painting, handscroll. Idealised landscapes and Chinese poems. Ink on silk. With original paulownia storage box.
IMG
![图片[1]-painting; handscroll; calligraphy BM-1995-0124-0.1-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00217123_001.jpg)
![图片[2]-painting; handscroll; calligraphy BM-1995-0124-0.1-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00217125_001.jpg)
![图片[3]-painting; handscroll; calligraphy BM-1995-0124-0.1-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00217126_001.jpg)
![图片[4]-painting; handscroll; calligraphy BM-1995-0124-0.1-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00217127_001.jpg)
![图片[5]-painting; handscroll; calligraphy BM-1995-0124-0.1-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00217128_001.jpg)
![图片[6]-painting; handscroll; calligraphy BM-1995-0124-0.1-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00217130_001.jpg)
Comments:Haizan was an accomplished painter in the scholarly ‘Nanga’ style of which he was one of the last masters. He was more significant, though, as a calligrapher, and about 1878 was one of the first to go to China to study the ancient skills to which the Japanese had long been denied direct access by the political isolation of their country. (Label copy, TTC)
Materials:silk
Technique:
Subjects:landscape
Dimensions:Height: 21.20 centimetres Width: 458.90 centimetres
Description:
Painting, handscroll. Idealised landscapes and Chinese poems. Ink on silk. With original paulownia storage box.
IMG
Comments:Haizan was an accomplished painter in the scholarly ‘Nanga’ style of which he was one of the last masters. He was more significant, though, as a calligrapher, and about 1878 was one of the first to go to China to study the ancient skills to which the Japanese had long been denied direct access by the political isolation of their country. (Label copy, TTC)
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
