Period:Unknown Production date:1800-1868
Materials:silk
Technique:painted
Subjects:landscape
Dimensions:Height: 110.30 centimetres Width: 45 centimetres
Description:
Painting, pair of unmounted hanging scrolls. Chinese landscapes with pavilions by the water and pleasure boats. Ink and colour on silk. Signed and sealed.
IMG
![图片[1]-painting BM-1881-1210-0.1550-1551-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_01107659_001.jpg)
![图片[2]-painting BM-1881-1210-0.1550-1551-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_01107660_001.jpg)
![图片[3]-painting BM-1881-1210-0.1550-1551-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_01107661_001.jpg)
![图片[4]-painting BM-1881-1210-0.1550-1551-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_01107662_001.jpg)
Comments:’Painted by Tan-riu Moritama (or Shiu-gioku)’ (unattributed annotation in the specially interleaved Japanese Study Room copy of Anderson 1886)
Materials:silk
Technique:painted
Subjects:landscape
Dimensions:Height: 110.30 centimetres Width: 45 centimetres
Description:
Painting, pair of unmounted hanging scrolls. Chinese landscapes with pavilions by the water and pleasure boats. Ink and colour on silk. Signed and sealed.
IMG
Comments:’Painted by Tan-riu Moritama (or Shiu-gioku)’ (unattributed annotation in the specially interleaved Japanese Study Room copy of Anderson 1886)
© Copyright
The copyright of the article belongs to the author, please keep the original link for reprinting.
THE END
![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
