Period:Five Dynasties and Ten Kingdoms Production date:10thC
Materials:paper, 紙 (Chinese),
Technique:painted
Subjects:bodhisattva hell 菩薩 (Chinese) 地獄 (Chinese) 供養人 (Chinese)
Dimensions:Height: 14 centimetres Width: 41 centimetres
Description:
Fragment of a painted frontispiece to the apocryphal Ten Kings of Hell Sutra, showing a donor, identified as Shantongzi by the inscription in the cartouche, holding a scroll, and part of the text. Another fragment from the same frontispiece (OA 1919,0101,0.78) shows Avalokiteśvara and Kṣitigarbha. Ink and colour on paper.
IMG
![图片[1]-painting; 繪畫(Chinese) BM-1919-0101-0.213-China Archive](https://chinaarchive.net/Five Dynasties and Ten Kingdoms/Paintings/mid_00000085_001.jpg)
![图片[2]-painting; 繪畫(Chinese) BM-1919-0101-0.213-China Archive](https://chinaarchive.net/Five Dynasties and Ten Kingdoms/Paintings/mid_RFC842.jpg)
Comments:
Materials:paper, 紙 (Chinese),
Technique:painted
Subjects:bodhisattva hell 菩薩 (Chinese) 地獄 (Chinese) 供養人 (Chinese)
Dimensions:Height: 14 centimetres Width: 41 centimetres
Description:
Fragment of a painted frontispiece to the apocryphal Ten Kings of Hell Sutra, showing a donor, identified as Shantongzi by the inscription in the cartouche, holding a scroll, and part of the text. Another fragment from the same frontispiece (OA 1919,0101,0.78) shows Avalokiteśvara and Kṣitigarbha. Ink and colour on paper.
IMG
Comments:
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
