Period:Unknown Production date:early 19thC
Materials:paper
Technique:painted
Subjects:landscape
Dimensions:Height: 200 centimetres (mount) Height: 130.20 centimetres Width: 74.20 centimetres (mount) Width: 57 centimetres
Description:
Painting, hanging scroll. Chinese landscape. Hermitage next to trees by river. Rocky mountains in background. Ink and colour on paper. Inscribed, signed and sealed. With storage box, inscribed, signed and sealed.
IMG
![图片[1]-painting; hanging scroll BM-1979-0723-0.3-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00036394_001.jpg)
![图片[2]-painting; hanging scroll BM-1979-0723-0.3-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00540045_001.jpg)
Comments:Hizo Nihon bijutsu taikan Vol 3The artist, Aiseki, is generally said to have studied under Noro Kaiseki. However, as is clear from this work, with its use of the technique that employs touches of red ochre and indigo on a basic ink painting, Ike-no-Taiga’s influence was overwhelmingly greater. The composition and the treatment of rocks and trees are based with almost literal faithfulness on those of Taiga. The “Shaxi” of the title is the name of a river in China; the title as a whole probably denotes living a life of unworldly seclusion by a river, or possibly the man who does so.
Materials:paper
Technique:painted
Subjects:landscape
Dimensions:Height: 200 centimetres (mount) Height: 130.20 centimetres Width: 74.20 centimetres (mount) Width: 57 centimetres
Description:
Painting, hanging scroll. Chinese landscape. Hermitage next to trees by river. Rocky mountains in background. Ink and colour on paper. Inscribed, signed and sealed. With storage box, inscribed, signed and sealed.
IMG
Comments:Hizo Nihon bijutsu taikan Vol 3The artist, Aiseki, is generally said to have studied under Noro Kaiseki. However, as is clear from this work, with its use of the technique that employs touches of red ochre and indigo on a basic ink painting, Ike-no-Taiga’s influence was overwhelmingly greater. The composition and the treatment of rocks and trees are based with almost literal faithfulness on those of Taiga. The “Shaxi” of the title is the name of a river in China; the title as a whole probably denotes living a life of unworldly seclusion by a river, or possibly the man who does so.
© Copyright
The copyright of the article belongs to the author, please keep the original link for reprinting.
THE END
![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
