Period:Unknown Production date:19thC(mid)
Materials:paper
Technique:painted
Subjects:waterfall/cascade
Dimensions:Height: 218 centimetres (mount) Height: 169 centimetres Width: 126 centimetres (mount) Width: 93.80 centimetres
Description:
Painting, hanging scroll. Chinese landscape in Huang-shan; two scholars and one boy attendant seated next to pavilion, and looking up huge waterfall in front of them. Ink and light colour on paper. Inscribed, signed and sealed. With storage box, inscribed.
IMG
![图片[1]-painting; hanging scroll BM-1985-1105-0.1-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00194973_001.jpg)
![图片[2]-painting; hanging scroll BM-1985-1105-0.1-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00542584_001.jpg)
![图片[3]-painting; hanging scroll BM-1985-1105-0.1-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_JCF9147.jpg)
Comments:Hizo Nihon bijutsu taikan Vol 3Hine Taizan (1813-69), a painter of the Literati school in the late Edo period, first studied the style of the Tosa school, but subsequently switched, under the guidance of Nukina Kaioku, to the Southern School style.There are a dozen or more places bearing the name “Huang-shan” that occurs in the title, but none of them seems to be especially famous for its waterfall. However, it is significant that the Huang-shan in An-hui Province is celebrated for its pines, and Chinese ink made with soot produced by burning their wood is highly prized. Since the work gives prominence to pines on an overhanging cliff, “Huang-shan ink” may well have been used for this work.
Materials:paper
Technique:painted
Subjects:waterfall/cascade
Dimensions:Height: 218 centimetres (mount) Height: 169 centimetres Width: 126 centimetres (mount) Width: 93.80 centimetres
Description:
Painting, hanging scroll. Chinese landscape in Huang-shan; two scholars and one boy attendant seated next to pavilion, and looking up huge waterfall in front of them. Ink and light colour on paper. Inscribed, signed and sealed. With storage box, inscribed.
IMG
Comments:Hizo Nihon bijutsu taikan Vol 3Hine Taizan (1813-69), a painter of the Literati school in the late Edo period, first studied the style of the Tosa school, but subsequently switched, under the guidance of Nukina Kaioku, to the Southern School style.There are a dozen or more places bearing the name “Huang-shan” that occurs in the title, but none of them seems to be especially famous for its waterfall. However, it is significant that the Huang-shan in An-hui Province is celebrated for its pines, and Chinese ink made with soot produced by burning their wood is highly prized. Since the work gives prominence to pines on an overhanging cliff, “Huang-shan ink” may well have been used for this work.
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
