Period:Five Dynasties and Ten Kingdoms Production date:926-975 (circa)
Materials:silk, 絲綢 (Chinese),
Technique:painted
Subjects:buddha bodhisattva buddhist cleric sun/moon 佛 (Chinese) 菩薩 (Chinese) 教職人員 (Chinese) 日/月 (Chinese)
Dimensions:Height: 61 centimetres Width: 57.50 centimetres
Description:
Painting showing a seated six-armed Avalokiteśvara with Candraprabha (Moon) and Sūryaprabha (Sun) in the top half. In the lower half Maitreya, Buddha of the Future, is on one side of an inscribed panel, with the painting’s donor, the priest Yuanhui, and the novice Liutong on the other. Ink and colour on silk.
IMG
![图片[1]-painting; 繪畫(Chinese) BM-1919-0101-0.59-China Archive](https://chinaarchive.net/Five Dynasties and Ten Kingdoms/Paintings/mid_PB290707.jpg)
Comments:
Materials:silk, 絲綢 (Chinese),
Technique:painted
Subjects:buddha bodhisattva buddhist cleric sun/moon 佛 (Chinese) 菩薩 (Chinese) 教職人員 (Chinese) 日/月 (Chinese)
Dimensions:Height: 61 centimetres Width: 57.50 centimetres
Description:
Painting showing a seated six-armed Avalokiteśvara with Candraprabha (Moon) and Sūryaprabha (Sun) in the top half. In the lower half Maitreya, Buddha of the Future, is on one side of an inscribed panel, with the painting’s donor, the priest Yuanhui, and the novice Liutong on the other. Ink and colour on silk.
IMG
Comments:
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
