Period:Ming dynasty Production date:1573-1620
Materials:porcelain
Technique:underglazed
Dimensions:Height: 592 millimetres
Description:
Porcelain meiping vase. There is a four-clawed dragon carrying a ‘lingzhi’ fungus in its mouth, with streamers attached to its legs and a bifocated tail in underglaze cobalt blue on the body, and bands of complex lotus panels at the top and bottom. There is a mark on the shoulder.
IMG
![图片[1]-meiping BM-PDF.669-China Archive](https://chinaarchive.net/Ming dynasty/Ceramics/mid_00584923_001.jpg)
![图片[2]-meiping BM-PDF.669-China Archive](https://chinaarchive.net/Ming dynasty/Ceramics/mid_00382273_001.jpg)
![图片[3]-meiping BM-PDF.669-China Archive](https://chinaarchive.net/Ming dynasty/Ceramics/mid_00914881_001.jpg)
Comments:Published PDF date : Ming Wanli 1573-1620 Room 95 label text:PDF 669Meiping vase with dragonThe organisation of production at Jingdezhen changed radically during the Jiajing to Wanli (AD 1522–1620) era. After 1530, the palace no longer sent officials directly to supervise the kilns. Local officials and members of the Board of Works then alternated that role. Potters produced a wider variety of forms and designs and in larger numbers than at any previous period in Jingdezhen’s history. Despite some individual court orders of more than 100,000 items, the imperial quota accounted for just one per cent of the total output. Many 16th century imperial porcelains, such as this, were made in earlier 15th century styles.Porcelain with underglaze cobalt-blue decorationJingdezhen, Jiangxi province 江西省, 景德鎮Ming dynasty, Wanli mark and period, AD 1573–1620 PDF 669龍紋梅瓶嘉靖至萬曆時期（1522-1620年）景德鎮的生產組織發生了劇烈的變化。1530年之後，宮廷不再直接指派官員監督御窯廠，而是由當地官員和工部主事交替擔任這一角色。陶工們燒造出了更為多樣的器類，紋飾圖案也更加豐富，巨大的陶瓷產量超越了景德鎮歷史上的任何一個時期。儘管個別宮廷訂單數量超過十萬件，但皇家份額僅占全部產量的百分之一。許多十六世紀的皇家用瓷，沿用了更早的十五世紀的器物風格，正如此梅瓶。瓷器，青花江西省景德鎮明代，萬曆，萬曆款，1573-1620年
Materials:porcelain
Technique:underglazed
Dimensions:Height: 592 millimetres
Description:
Porcelain meiping vase. There is a four-clawed dragon carrying a ‘lingzhi’ fungus in its mouth, with streamers attached to its legs and a bifocated tail in underglaze cobalt blue on the body, and bands of complex lotus panels at the top and bottom. There is a mark on the shoulder.
IMG
Comments:Published PDF date : Ming Wanli 1573-1620 Room 95 label text:PDF 669Meiping vase with dragonThe organisation of production at Jingdezhen changed radically during the Jiajing to Wanli (AD 1522–1620) era. After 1530, the palace no longer sent officials directly to supervise the kilns. Local officials and members of the Board of Works then alternated that role. Potters produced a wider variety of forms and designs and in larger numbers than at any previous period in Jingdezhen’s history. Despite some individual court orders of more than 100,000 items, the imperial quota accounted for just one per cent of the total output. Many 16th century imperial porcelains, such as this, were made in earlier 15th century styles.Porcelain with underglaze cobalt-blue decorationJingdezhen, Jiangxi province 江西省, 景德鎮Ming dynasty, Wanli mark and period, AD 1573–1620 PDF 669龍紋梅瓶嘉靖至萬曆時期（1522-1620年）景德鎮的生產組織發生了劇烈的變化。1530年之後，宮廷不再直接指派官員監督御窯廠，而是由當地官員和工部主事交替擔任這一角色。陶工們燒造出了更為多樣的器類，紋飾圖案也更加豐富，巨大的陶瓷產量超越了景德鎮歷史上的任何一個時期。儘管個別宮廷訂單數量超過十萬件，但皇家份額僅占全部產量的百分之一。許多十六世紀的皇家用瓷，沿用了更早的十五世紀的器物風格，正如此梅瓶。瓷器，青花江西省景德鎮明代，萬曆，萬曆款，1573-1620年
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