Period:Unknown Production date:1935
Materials:paper
Technique:painted
Subjects:landscape
Dimensions:Height: 111 centimetres (image) Height: 225.50 centimetres (scroll including roller and hanging cord) Width: 37.50 centimetres (image) Width: 60 centimetres (scroll including roller)
Description:
Hanging scroll. Mountains, with inscription and seals. Signed and dated. Painted in ink on paper.
IMG
![图片[1]-hanging scroll; painting BM-1966-0613-0.7-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00015448_001.jpg)
Comments:This elegant monochrome painting after the Yuan dynasty master Wu Zhen (1280-1354) demonstrates his remarkable command of a broad range of traditional brush techniques, compositional skills and fine shading. In his inscription Zhang Daqian discusses the use of different brush dots (dian) in works by Juran (active c.960-85) and Wu Zhen. His own painting is a creation inspired remotely by the study of works of these artists. The painting was executed in the Mogan Mountains not far from Hangzhou and about 200 kilometers south of Shanghai.
Materials:paper
Technique:painted
Subjects:landscape
Dimensions:Height: 111 centimetres (image) Height: 225.50 centimetres (scroll including roller and hanging cord) Width: 37.50 centimetres (image) Width: 60 centimetres (scroll including roller)
Description:
Hanging scroll. Mountains, with inscription and seals. Signed and dated. Painted in ink on paper.
IMG
Comments:This elegant monochrome painting after the Yuan dynasty master Wu Zhen (1280-1354) demonstrates his remarkable command of a broad range of traditional brush techniques, compositional skills and fine shading. In his inscription Zhang Daqian discusses the use of different brush dots (dian) in works by Juran (active c.960-85) and Wu Zhen. His own painting is a creation inspired remotely by the study of works of these artists. The painting was executed in the Mogan Mountains not far from Hangzhou and about 200 kilometers south of Shanghai.
© Copyright
The copyright of the article belongs to the author, please keep the original link for reprinting.
THE END
![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
