Period:Unknown Production date:1603-1868
Materials:silk
Technique:painted
Subjects:bird
Dimensions:Height: 132.80 centimetres (image) Height: 235.50 centimetres (scroll) Width: 61 centimetres (image) Width: 77 centimetres (scroll)
Description:
Hanging scroll. Crane. Painted in ink and colours on silk. Signature and seal.
IMG
![图片[1]-hanging scroll; painting BM-1881-1210-0.16.CH-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_00246009_001.jpg)
![图片[2]-hanging scroll; painting BM-1881-1210-0.16.CH-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_RFC162.jpg)
![图片[3]-hanging scroll; painting BM-1881-1210-0.16.CH-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_RFC162_1.jpg)
![图片[4]-hanging scroll; painting BM-1881-1210-0.16.CH-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_RFC162_4.jpg)
![图片[5]-hanging scroll; painting BM-1881-1210-0.16.CH-China Archive](https://chinaarchive.net/Unknown/Paintings/mid_RFC162_5.jpg)
Comments:’15 and 16. Copies.”Signed Hsian-yang Mi Fei’ (unattributed annotations in the specially interleaved Japanese Study Room copy of Anderson 1886) Japan, Edo period (1603-1868), formerly attributed to Mi Fu (1051-1107). See Clarissa von Spee, ‘Multiples in Chinese Painting: A Reassessment of the British Museum’s Anderson Collection’ in Orientations, Volume 47 Number 5, June 2016, pp 33- 41.
Materials:silk
Technique:painted
Subjects:bird
Dimensions:Height: 132.80 centimetres (image) Height: 235.50 centimetres (scroll) Width: 61 centimetres (image) Width: 77 centimetres (scroll)
Description:
Hanging scroll. Crane. Painted in ink and colours on silk. Signature and seal.
IMG
Comments:’15 and 16. Copies.”Signed Hsian-yang Mi Fei’ (unattributed annotations in the specially interleaved Japanese Study Room copy of Anderson 1886) Japan, Edo period (1603-1868), formerly attributed to Mi Fu (1051-1107). See Clarissa von Spee, ‘Multiples in Chinese Painting: A Reassessment of the British Museum’s Anderson Collection’ in Orientations, Volume 47 Number 5, June 2016, pp 33- 41.
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
