Period:Unknown Production date:8thC
Materials:stucco, gold,
Technique:gilded, painted,
Subjects:buddha
Dimensions:Height: 9.70 centimetres Width: 8.10 centimetres
Description:
Fragment of a plaque depicting the standing Buddha. The protuberance (ushnisha) and the elongated earlobes feature very prominently, the right hand is raised to shoulder height with fingers extended and palm turned outward. This is the the Abhaya mudrā (mudrā of no-fear). The plaque is made of stucco, traces of gilding as well as black and red pigments remain.
IMG
![图片[1]-figure BM-MAS.387-China Archive](https://chinaarchive.net/Unknown/43/mid_01127640_001.jpg)
![图片[2]-figure BM-MAS.387-China Archive](https://chinaarchive.net/Unknown/43/mid_01127641_001.jpg)
Comments:
Materials:stucco, gold,
Technique:gilded, painted,
Subjects:buddha
Dimensions:Height: 9.70 centimetres Width: 8.10 centimetres
Description:
Fragment of a plaque depicting the standing Buddha. The protuberance (ushnisha) and the elongated earlobes feature very prominently, the right hand is raised to shoulder height with fingers extended and palm turned outward. This is the the Abhaya mudrā (mudrā of no-fear). The plaque is made of stucco, traces of gilding as well as black and red pigments remain.
IMG
Comments:
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
