Fu Baoshi’s Peach Blossom Lady Picture Axis

The “Peach Blossom Maiden Painting” axis, modern and contemporary, painted by Fu Baoshi in paper, with colors, 55 centimeters vertically and 63 centimeters horizontally.

The title of this painting is: “Breaking the Peach Blossom and throwing the water, let alone relying on the clouds with words. Ding Hai spoke and wrote in white, which is a new metaphor for Fu Baoshi.” The seal is “Fu”, with the seal of Zhu Wenyuan, “often drunk”, with the seal of Zhu Wenfang, and “the seal of Zhu Wenfang, a masterpiece of Fu Baoshi.”
Dinghai was born in 1947
This picture is a poetic painting of the Tang Dynasty. The poem is one of Cao Tang’s “Ninety Eight Poems of Little Immortals”, and the entire poem reads: “Stealing to the entrance of the cave to visit Liu Jun, gently lifting the jade thread skirt. Breaking the peach blossoms to chase the flowing water, let alone leaning on the clouds without words.” (See Volume 641 of “The Complete Tang Poems”) shows a woman’s lost mood of being unable to find a lover and feeling melancholy and speechless. The picture shows a woman holding a peach branch and meditating. Behind me, peach blossoms are dense, like red clouds. Such beautiful scenery still cannot suppress the faint sadness in the woman’s heart, and the deep thoughts gradually fade away with the peach blossoms sent away for the flowing water. The characters’ eyes reveal their inner sadness and sadness, which is unforgettable. The clothing pattern is based on a desire for writing, which is astringent but not stagnant, and is natural and graceful. Poetry and painting blend with each other, reaching the highest level of poetic painting
This picture is donated by Mrs. Fu Baoshi, Luo Shihui.