[Banner of Fu Baoshi’s Painting of Fisherman’s Father]
Banner of “The Painting of Fisherman’s Father”, modern and contemporary, painted by Fu Baoshi, paper based, colored, 62 centimeters vertically and 110 centimeters horizontally
The title of this painting is: “Fisherman, write with a stone.” The seal is “private seal with a stone”, with a white square seal, and “often drunk”, with a red rectangular seal
This picture originates from Qu Yuan’s work “The Fisherman”
The author uses the Sansfeng style of writing to write about the endless river, vast and vast, and misty. The fisherman standing at the bow of the boat has a round face, clear eyebrows, a vibrant spirit, and a vibrant spirit, which is quite different from Qu Yuan’s image of “haggard in color and haggard in appearance” in another work. Fu Baoshi skillfully used the contrasting images of Qu Yuan and Yu Fu to form a sharp contrast, thereby using Yu Fu’s reclusive philosophy to foil and praise Qu Yuan’s patriotic spirit of caring for the country and the people, and achieving the goal of “expressing the mass in his chest through the ancients.”
This picture is donated by Mrs. Fu Baoshi, Luo Shihui
![图片[1]-Fu Baoshi Fisherman Banner-China Archive](https://chinaarchive.net/Warring States period/painting/51955[1024].jpg)
![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
