Zhao Zhiqian and Mo Song Map Axis

[Zhao Zhiqian Ink Pine Painting Axis]

The “Ink Pine Painting” axis, in the 11th year of the Tongzhi reign of the Qing Dynasty (1872), was painted by Zhao Zhiqian in paper, with ink brush, 176.5 centimeters vertically and 96.5 centimeters horizontally
According to the artist’s own title, this drawing uses the three body writing techniques of Zhuan, Li, and Cao to depict a pine tree. The strokes are rounded and thick, with the same style as the author’s calligraphy style. The trunk, branches, and pine needles are represented in cursive calligraphy, inheriting the tradition of bold and unrestrained literati painting. The writing style of the running script on the painting is vigorous and vigorous, and its charm of gold and stone contrasts with the painting method of pine wood, creating a lively and interesting atmosphere. This painting is worthy of being Zhao Zhiqian’s masterpiece of painting with gold, stone, and calligraphy< "In July of the 11th year of the Tongzhi reign, Brother Meipu belonged to Zhao Zhiqian." The seal was "Zhao Zhiqian's seal" and "Zhu Wenyin's seal.". "The 11th year of Tongzhi" was 1872, when Zhao Zhiqian was 44 years old.