Hanging screen with embroidered imperial inscriptions of Tongyin playing crane

[Embroidery Imperial Hanging Screen with Tongyin Playing Crane Figure]

Embroidery Imperial Hanging Screen with Tongyin Playing Crane Figure, Emperor Qianlong of the Qing Dynasty, with a painted heart of 70 centimeters vertically and 38 centimeters horizontally. The old collection of the Qing Palace
The painting is based on white satin, and uses techniques such as flat covering, loose covering, burying needles, hairdressing needles, rolling needles, oblique winding needles, and seed beating to embroider the high priest on the slope and play against a red-crowned crane beside the Banqiao, surrounded by clear streams and thick shade of Tongyin. On the upper right of the screen is a blue silk embroidery painting named “The Painting of Playing with Cranes in Tongyin”. “A poem on the left side of the poem reads, ‘When I pass by the milk, the trees, the trees, the trees, and the trees are waiting to be washed, and when I pass by the Jiayin, the high scholars are standing on the moss. When I walk by the bridge, the feather guests come from Chengmeng, not from the words asked by the neighbors.'” At the end of the poem, the inscription is embroidered, ‘I thank you for your honor and honor the book,’ and the inscription ‘I thank you for your honor and honor
The characters in the picture are elegant and leisurely, the crane posture is serene and elegant, the surrounding vegetation is lush, and the landscape is simple. The picture presents a tranquil atmosphere far away from the hustle and bustle. This screen has exquisite and flexible stitches, which have a good effect on the texture of the object image. The composition is static and dynamic, and the main tone is cold cyan blue, to render the peaceful and serene artistic conception of the screen.