Wang Yuanqi Changli Poetic Axis

[Wang Yuanqi Changli Poetic Map Axis]

Changli Poetic Map Axis, Qing Dynasty, Wang Yuanqi’s painting, paper version, color setting, 97.5 cm vertically and 54.3 cm horizontally
The author knows from himself: “The sky floats and eyebrows are trimmed, and the thick green painting is new. In the poetic style of Changli, it was written at the residence of the capital at noon and in the middle of spring, Lutai Qi.” The seal is printed in the long circle of white text, “the seal of Wang Yuanqi”, “the seal of white text,” the seal of Lutai “and” the descendants of Xilu “, Zhu Wenyin
“Renwu” is the forty-first year of Kangxi in the Qing Dynasty (1702), when Wang Yuanqi was 61 years old
As we know from the title, this picture is a landscape painting drawn according to the sentence “the sky floats and eyebrows are trimmed, and the thick green painting is new” in Han Yu’s “Nanshan Poems” (see Volume 336 of the “All Tang Poems”) of the Tang Dynasty. The composition of the picture can be divided into far and close shots. The long shot focuses on the mirage of smoke and clouds. Its large blank space and the concrete Tingzhu miscellaneous wood in the close shot form a virtual and real contrast. Its expressive method from real to virtual not only expands the space of the picture, but also adds a hazy poetic flavor to the painting, highlighting the creative theme. The painting method of the mountain stone in the picture has the typical characteristics of Wang’s stone painting. First, it outlines the outline with simple lines, and then it is dyed with ink and chapped, and then it is gradually dipped by the dry and wet color of the ink, and finally it reaches the leisure interest of seeking clarity in the clear and showing clarity in the clear.