Huang Shen’s cursive five-meter poem axis

[Huang Shen’s Cursive Five-length Poem Axis]

Cursive Five-length Poem Axis, Qing Dynasty, Huang Shen’s book, paper version, 166.9 cm vertically and 84.6 cm horizontally
Interpretation:
There are thirty plum trees and several mu of grass. There are no visitors in the day, so I close the door to read the old articles
Out of bottles to prevent freezing at night, and drunk in the morning. On the embankment, the hands are casually forked, and the wind creates water patterns

There are thousands of bamboos flying in the grass pavilion, and the moss is on the flat fence. The crow’s voice falls in the morning, and the butterfly’s dream remains in the autumn
Wine keeps you sick today, and the quilt is old and cold. Counting Poyang Water, Acacia is a beautiful place< BR. The earth is warm from the south, and the sky is cold from the north
When we meet at first sight, it is especially difficult to say goodbye. I also detain those who live here

On Qiu Ma Hangou, Lianjun is tired. The dream of three spring in Beijing, and the autumn in Haimen in July
The words are empty cud dogs, and the lute respects the gulls. The early stage is uncertain, but it is more likely to be Cangzhou

The spring flew away from the cliff, and the pearl fell and scattered the fine sand. Dig stones to plant peach trees, and wear clouds to pick tea
The dragon returns to the mountain with rain, and the deer comes out with flowers. Twelve peaks are listed, and immortals are the first

This axis contains five five-character poems in cursive script, totaling 10 lines. At the end of the paragraph, “Ning Hua Huang Shen” is stamped with “Huang Shen” and “Ying Pi Shan Ren”. This picture has no hidden seal. There is no specific writing time. Judging from the style of the book, it should be written by Huang Shenzhong in his later years
The calligraphy on this axis is elegant and strange, with powerful strokes, and unique and ancient characters. It pays attention to the use of the key points. The glyphs are interlocked with each other, such as “snake walking, rain and wind”. It is elegant and unique. Among Yangzhou painters and calligraphers in the middle of the Qing Dynasty, Huang Shen’s calligraphy is quite personalized. This axis represents the artistic level of Huang Shen’s cursive script and shows the calligrapher’s calligraphic characteristics of winning by taking risks.