[Qing Dynasty’s expansion of the Matching Hall Calligraphy Preface of Emperor Kangxi’s Linlan Pavilion]
Qing Dynasty’s expansion of the Matching Hall Calligraphy Preface of Emperor Kangxi’s Linlan Pavilion, brocade noodles. The black gold is refined, folded and installed, with four openings in total. The half-width is 30.4 cm vertically and 17.9 cm horizontally
The twenty-four volumes of the “Dharma Calligraphy of the Maoqin Hall”, which is called official script, have been published in the past dynasties. It began in 1690 (the 29th year of Kangxi’s reign) when Shen Quan and others ordered to copy the stone. It took four or five years to complete. The collected contents are rubbings collected by the inner government and the legacies of emperors and celebrities from the time of the Xia Yu to the time of the Ming Dynasty, including the Kangxi “Imperial Book” and “Imperial Pro” legacies. Emperor Kangxi’s Preface to the Lanting Pavilion, 30 lines. The 12 lines of the Royal Postscript are all running script. This calligraphy is carved in Volume 6 (Volume 6) of the “Dharma Calligraphy of the Maoqin Hall”. Its calligraphy is also entirely based on Dong Qichang’s skill, and its beauty contains the grace of elegance
![图片[1]-Preface to Emperor Kangxi’s Linlan Pavilion in the “Calligraphy of the Maoqin Hall” by the Qing Dynasty-China Archive](https://chinaarchive.net/Qing dynasty/Inscription/55413[1024].jpg)
册页38
册页39
册页40
册页41





![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)