[Qing Dynasty’s expansion of the “Orchid Pavilion Eight Pillars” Xihong Hall carved Liu Gongquan’s Orchid Pavilion poems]
Qing Dynasty’s expansion of the “Orchid Pavilion Eight Pillars” Xihong Hall carved Liu Gongquan’s Orchid Pavilion poems, wooden face. Refined black gold, folded and installed, each opening is 29.8 cm in length and 34.6 cm in width
The Xihong Hall carved the original of Liu Gongquan’s orchid pavilion poem, and the ink traced the stone. The ink is written in the form of Liu Gongquan’s Orchid Pavilion poem written by Liu Gongquan in the Changfu hook filled in the Xihong Hall in the Qing Dynasty (see Changfu hook filled in the Xihong Hall carved in Liu Gongquan’s Orchid Pavilion poem volume). In front of the volume, the Emperor Qianlong signed “the fifth of the eight pillars of the Orchid Pavilion” and inscribed one. The seal bears the seal of “Qianlong” and other 30 seals. This ink was originally collected in the Forbidden City
This inscription is engraved on the fifth column of the eight-pillar inscription of the Lanting Pavilion (Volume 5), with the seal of “Summer Resort”, “Treasure of the Emperor Qianlong” and so on. The title of the single post is regular script: “Xihong Hall carved Liu Gongquan’s original Lanting poem”. There is an inscription of Emperor Qianlong; There are “Qianlong” and other inscriptions
![图片[1]-In the Qing Dynasty, the “Orchid Pavilion Eight Posts” was developed, and the poem of Liu Gongquan’s Orchid Pavilion was carved at the Hongtang Opera House-China Archive](https://chinaarchive.net/Qing dynasty/Inscription/55148[1024].jpg)
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)