Still night picture axis of winding mountains

[Still Night Picture Axis of Winding Mountain]

The axis of Still Night Picture of Winding Mountain, clear, paper-based, color-set, 120.2 cm vertically and 65.4 cm horizontally
There is no author’s signature on this painting. Emperor Qianlong of the Shangshitang inscribed the word “Yishen” and stamped the three seals of “Five Blessings and Five Dynasties Hall Ancient Treasure of Heaven”, “Supreme Emperor’s Treasure” and “Jingji Mountain Villa”. There are also ten inscriptions of Emperor Qianlong from the twenty-eighth year of Qianlong to the fiftieth year of Qianlong (1763-1785) for more than 20 years on this painting. There are more than 20 seals, such as “Guxi Tianzi”, “Qian”, “Long”, “Qianlong Chenhan”, and “several times to be happy”. There are also four Qianlong inscriptions on the border, which were written in the fifty-fourth year of Qianlong (1789), the fifty-sixth year of Qianlong (1791), the fifty-eighth year of Qianlong (1793) and the second year of Jiaqing (1797). Over the past 30 years, Emperor Qianlong has carried out 14 quality tests, which shows that he is very fond of this work, There is a text saying: “Life is quiet, and the words of Confucianism are the same. Life is like a letter, and the purpose of a scholar is the same. The mountain is based on peace, and it is based on heaven and earth, and people are based on the mountain and other views. The mountain is based on peace, so it is always based on peace.” So the villa is named “peace and quiet”
This picture shows the first area of the house, which is placed between the mountains, rocks and trees. Surrounded by lush bamboo forests, luxuriant branches and leaves, and beautiful stones and dead trees complement each other. There is a bed in the front room. There is a few meters high beside the bed, and there are articles from the Qing Dynasty on it. A man was sitting in a Han suit, leaning against a letter. In front of the hall is an open area with a stream flowing through, creating a quiet and elegant living environment for scholars. The figure in the painting is the portrait of Emperor Qianlong himself. The face is dignified, the facial depiction is very delicate, and the light sense and concavity are very exquisite. It is drawn by Western painting. The scenery in the painting is the traditional Chinese painting techniques, and the cooperation between Chinese and Western painters is a common form of court painting during the Qianlong period.