Zhao Zhiqian’s seal book and song book

[Zhao Zhiqian’s seal book Nao Song Book]

The seal book Nao Song Book, Qing Dynasty, Zhao Zhiqian’s book, paper, 32.5 cm in length and 36.8 cm in width
Explanations:
In the upper return, the summer is coming, and the general is going to the north to follow the orders of the Spring Palace, the cold and summer, the German tour of the Stone Pass, and the ministers of the various countries, the Huns, and the orders of the Huns to drive away from the hundred official diseases, and the happiness is endless. He Meimei goes down to the top of the tomb, and the wind is cold. He never said that the laurel tree in the middle of the water is the king’s boat, the green silk is the king’s boat, the azzuo mulan is the king’s boat, and the gold is the king’s boat. The birds in the sea, the red wings, the white geese, and the mountains and forests open at first glance. I didn’t know that the sun and the moon It is said that the immortals in the Zhisheng Copper Pool in the second year of the first lunar month of the Lu Dynasty came down to drink and prolong their life for thousands of years, which is as beneficial as expected. The great music on the left side of the sky and the great music on the sky are as beautiful as Chen Jiazai. The only thing that can be understood is that the combination of four-body calligraphy should be silent The book “Nao Song” consists of three chapters: “Shangzhihui”, “Shangling”, and “Faraway as scheduled”, with a total of 12 chapters, 74 lines, and 3 words. Last knowledge: “Tongzhi Jiazi was born in June, and the seal law is not authentic, but the combination of the four body scripts should be understood in silence. There is no stuffiness.” The next seal is “the modest seal”. No Tibetan seal, no description
According to the author, this book was written in the third year of Tongzhi reign (1864), when Zhao Zhiqian was 35 years old. It should be the work of his early book style. In addition, from the analysis of the title, this book should be the model book written by the students studying the book, which is of the same nature as Xu Shuo Wen Xu. This volume uses the Han seal script and the official script. The beginning of the script is meaningful and has the characteristics of the calligraphy of the Wei stele. This shows that Zhao’s calligraphy combines the ancient and modern, various forms of mixed, and finally becomes his own unique calligraphy. The knot is slightly long, the center uses a pen, solid and heavy, and the essence is introverted. It is one of the representative works of Zhao Zhiqian’s seal script.

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