[Dehua White Glazed Goddess of Mercy]
Dehua White Glazed Goddess of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Mercy of Merc
This Guanyin is dressed in a heaven suit and has a wreath on her chest. Sit with your left leg crossed, your right leg reclined, holding a child in both hands, and sitting on a hollow mountain seat with a scroll on its left side. The secular affection of the mother and the transcendent charm of the god are skillfully integrated here by the craftsman
China’s feudal society is based on the patriarchal clan system, and people attach great importance to the inheritance of blood, so there is a saying that “there are three unfilial and no offspring is great”. Guanyin has a compassionate heart and is responsive to the needs of the believers. People have also linked the official duties of the civil mother-in-law with Guanyin. Especially in the Ming and Qing dynasties, the image of the mother-in-law was mostly replaced by Guanyin
![图片[1]-White Glazed Avalokitesvara-China Archive](https://chinaarchive.net/Qing dynasty/Sculpture/55874[1024].jpg)
![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
