[Preface to the Orchid Pavilion of Xue Jiben in the Imperial Palace of the Ming Dynasty]
Preface to the Orchid Pavilion of Xue Jiben in the Imperial Palace of the Ming Dynasty. The Orchid Pavilion of Xue Jiben in the Imperial Palace of the Ming Dynasty is one of the five volumes of the Ming Dynasty’s Rubbings. Brocade face, cut, inlaid and mounted, butterfly mounted. Two and a half. Ink paper is 27.8 cm vertically and 31.5 cm horizontally
The seal of “Jiyan Treasure”. After the seal is affixed, such as “Listening to Snow Studio”, “Listening to Snow Studio Identification Seal”, “Xingcun Treasure”, “Yutian Yuan Family Collection”, “Yuan Kaidi Approved Gold and Stone Seal”, etc
It is the twenty-eight lines of this Lanting text, which is actually a temporary version, with the characters of “nine” back tick and “you” in cursive writing. The ancient seals, such as “Shenlong”, “Jianye”, “Wenfang” and “Xuanhe”, are all made in disorder. Such orchid pavilions, also known as the book of the imperial concubine Pan and the book of the king Ji, are self-marked in Europe and Chu. The inscription of “Xue Jituo’s Dingwu book in the imperial treasury was recorded by the Zeng gentry.” The name of “Dingwu” was popular in the Song Dynasty, while the legend said that the stone was carved in the Tang Dynasty, which was called the title when the Zeng gentry attacked it. Tao Beiming’s inscription, “Five kinds of old Tuo’s postscript, Chen Gushan’s postscript, and Xue Lin’s postscript, Zhao Lin’s twenty-two small characters, and the postscript’s sideline work are outside, and Ji Yandi’s postscript, which contains the Beiming’s inscription.” Chunhu Duan Qingchuan, Sanyuan’s Fenglin, Yutian’s Yuan Kaidi, and other postscripts have three paragraphs. Sun Qingyan, Kunchi, watched a piece of money. Yuan Kaidi believed that this was by no means similar to the Dingwu book, and the title should be changed to “Xue Tuo Lan Ting”
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