Wu Binfang Pot Map Axis

[Wu Bin’s square pot map axis]

The square pot map axis, painted by Wu Bin in the Ming Dynasty, paper, colored, 320 cm vertically and 101 cm horizontally
The author of this painting knows himself: “The picture of a square pot. The sky is rising and the spring is falling, and the branch is hidden and written by Wu Bin.” The seal is “Wu Bin’s seal” and “the text”. “Tianqi Bingyin” is the sixth year of tomorrow’s Qi (1626)
The Fanghuxian Mountain painted by the painter is strangely shaped, and the cave between the peaks is unique. The Qionglou Jade House is hidden in it. There are immortals looking out on the railing. The waves at the foot of the mountain are crashing, and the waves are surging. A word “strange” is highlighted on the composition set. In terms of the use of ink, this figure emphasizes the method of using ink: the mountains and rocks are outlined with ink, and the chapped brush is rare, and the halo dye is the main; The diffuse clouds in the mountains are outlined with thick brush and light ink, while the part that covers the mountain peak is invisible. The fading ink makes it transition to nature, creating a mysterious atmosphere of misty and unpredictable clouds in the fairy mountains in the myth; The painting methods of the miscellaneous trees in the mountains are diverse, and the front and back layers are divided by different shades of ink. The misty effect of the misty clouds in the mountains is strengthened by the misty brush, which highlights the mythical color of the fairy mountains.