Dong Qichang’s Antique Landscape Album

[Dong Qichang Antique Landscape Album]

Antique Landscape Album, Ming Dynasty, Dong Qichang painting, paper edition, ink and color, 26.3 cm in length and 25.5 cm in width
This volume has 8 copies in total
In the first opening, the title in the upper right corner: “Imitate Tang Yang Sheng.” Seal “Dong Qichang”. The seal of the seal is “Wang Shan”, “Cigaretters really appreciate”, “Xuzhai essence top grade”, and “Ink margin in pot”
Open Dong Qichang’s question opposite: “The picture of Puxue at the Yangshengtong Pass in the Tang Dynasty, seen by the young government of Zhu Dingguo in Mingzhou, with Zhang Sengyou as the teacher, and only for Mogu Mountain, is not inked. I have seen whether there is a writer in Japanese painting, and the meaning is also Tang Fa. Mi Yuanzhang said that Wang Jinqing’s landscape is like a patch of Tuo rock, dyed with blue. Wang Qia is splashing ink. Many kinds of methods are Li Cheng and Dong Yuan’s former masters.” Seal “Dong Xuanzai”. Collect the seal “Pang Laichen’s Treasure Seal”, “Hu Gong”, “What Ziqing saw”, “Wang Shimin’s Seal”, and “Zhuan An”
Colored green landscape, painted peaks and autumn trees
In the second opening, the title in the upper left corner: “Imitation of Plum Blossom Taoist.” Seal “Dong Qichang”. Collect seal “Xuzhai Appreciation”, “Ink Margin in Pot”, “Wang Shimin Seal”, and “Zhuan’an”
Opposite Dong Qichang’s question: “Today, Wu Zhonggui’s former residence in Wutang was called Plum Blossom Lane. He is a real scholar since his name is Plum Blossom Monk. His painting is huge and his calligraphy is homesick, and they are all influenced by the monk’s law. Therefore, Zhonggui and Sheng Mao are in the same lane. Every time people refer to gold and silk, they seek paintings, and Zhonggui’s family hears the same. His family thinks he is relegated, and Zhonggui said, ‘We will have a final conclusion after 20 years’. The value of his prosperity is inferior. It has been 300 years since. He met him on March 23, Xinyu.” Print. The collection seal is “Pang Laichen’s Treasure Seal”, “Hu Gong” and “Wang Shimin’s Seal”
Set colors to paint water pavilions, green mountains and waterfalls
The third opening, the upper left title: “Imitate Huichong.” Seal “Dong Qichang”. Collect the seal “Wang Shimin’s seal”, “Wang Shan’s seal”, “ink margin in the pot”, and “Xuzhai Appreciation”
The opposite of Dong Qichang’s title: “The monk of Song poetry is worshipped and the people of Jianyang are also respected. Before Juran, Wang Wei, a painter, was exquisite and beautiful as a poet. Wen and Li’s” Fragrant Liao Collection “was born in love. The Dongpo and the valley are its small scenes. I can see the giant scroll of Jiangnan Hui of Chen’s family in Jingkou and the” Early Spring Map “given by Yinzhu Dingguo.” The seal is “Dong Xuanzai”. Collect seals such as “Wang Shimin’s seal”, “Zao Ru”, “Hu Gong”, and “Pang Laichen’s precious seal”
Color the houses with cloud trees on both sides of Qingxi River
The fourth opening, the upper right title: “Imitate Lu Hong’s cursive pen.” Seal “Qichang”. Collect the seal “ink margin in the pot”, “what Ziqing saw” and “Wang Shimin’s seal”
In contrast to Dong Qichang’s question, “The Ming Emperor of Hongyi’s Thatched Cottage is like a picture, and Hongyi’s painting is a masterpiece, which is similar to that of Youcheng Bozhong. The ten records of Songshan have Chu lyrics. By the time of Song Dynasty, Li Boshi’s painting ordered all the names to write their poems in public, and each person has his own scene. Qin Shaoyou, Monk Shenliao, and Mi Yuanzhang are all related to each other. The rest of the people who see the Xiang surname are also ten-dimensional, and do not show their surname. Xie Shichen also has a copy, which is the first to get its position. The Tang people use the high ink, which means that they can’t write, so it is wonderful.” Seal “Dong Xuanzai”. Collect the seal “Xun Zhi”, “Wang Shan’s seal”, “Pang Laichen’s treasured seal”, and “Hu Gong”
Ink brush painting of sparse forest slope stones and high cliff waterfalls
The fifth opening, the top left title: “Imitate Ni Yuanzhen.” Seal “Qichang”. Collect seals such as “Cigarette Guest’s True Appreciation”, “Wang Shan’s Seal”, “Ink Margin in Pot”, and “Xuzhai Elite”
Opposed Dong Qichang’s question: “Ni Youhua learns from Feng Jin. Jin,” Xuanhe Paintings ” The eunuchs of the Song Dynasty are also included. There is no biography of the painting. Ni Yue said that he got the meaning of Jingguan Pass. How dare he say it? Zhang Boyu said: ‘If you can compete with Mi Dian, you can only count Ni Wan. You should use the Erya insect fish pen to write the picture of Qiao Lin in stone. ‘ The most pedantic man breathes out. Feng Jin, the painting scholar of Gao Shi Ni, and Cao Mengde, the calligraphy scholar of Zhu Huiweng, do not ask his teacher. Ni Youshu learns from the Huangting Neijing Jing, and the Neijing Jing is the object of Ni’s family. ” Seal “Dong Qichang”. The collection seals are “Wang Shimin’s seal”, “Wang Shan’s seal”, “Pang Laichen’s treasured seal”, and “Hu Gong”
Coloring painting Pingyuan autumn landscape
The sixth opening, the top left title: “Imitate Mi Yuanhui.” Seal “Dong Qichang”. Collection seals include “Wang Shimin Seal”, “Wang Shan” and “Ink Margin in Pot”
In contrast to Dong Qichang’s question, “The mystery of the remaining items in the picture of Mi Yuanhui’s Xiaoxiang is very close to those in the Song Dynasty. Zhu Huiweng also said good-bye. Later, Wang Zongchang recounted the origin of the people in the postscript, and the quality of the book was also good. Shen Shitian got a view of it when he was seventy-five years old, and his life was the first in the rice scroll. The picture does not make a point, but only uses ink to break the concave and convex shape. The trees and houses are all exquisite, and the clouds are also painted with variations. Yuan Huifan wrote hundreds of words again.” The seal “Qi Chang” 。 Collect the seal “Xun Zhi”, “Wang Shan”, “Pang Laichen’s treasured seal”, and “Hu Gong”
Ink painting of misty rain in Xiaoxiang
The seventh opening, the top left title: “Imitate Huang Heshan Woodcutter.” Seal “Dong Qichang”. The collection is printed with “Wang Shimin’s seal”, “Wang Shan’s seal” and “ink margin in pot”
To open Dong Qichang’s question, “Only Wang Shuming, who was the official of the fourth generation in the Yuan Dynasty, was at the beginning of the country, and was the ruler of Tai’an Prefecture. He Yuanlang remembered that there was a snow map painted in Qi County. Ni Yunlin wrote a clever and witty saying with pen and ink, and Yun Chenghuai believed that the Taoist priest was Zong Shaowen. He also learned from Linchi that Wang Youjun and Wang Yu were capable of carrying the tripod. There has been no such ruler for five hundred years, and it has been pushed to the end. In the Northern Song Dynasty, all families copied it, especially good at the right prime minister method.” The seal was “Dong Xuanzai”. The collection is printed with “Zao Confucianism”, “Xun Zhi”, “Hu Gong” and “Pang Laichen’s Treasure Seal”
Ink brush painting of Guanshan Pine Stream
The eighth opening, the top left title: “Imitate the picture of Li Boshi Villa.” Seal “Dong Qichang”. The collection is printed with “Wang Shimin Seal”, “Zhuan An”, “ink margin in the pot”, and “Xuzhai Jiancang”
The opposite of Dong Qichang’s question: “The water and ink immortals in the handsome camp hills are floating in the sky. Once the wind and tide have changed, who can see the general set the color of the mountain.
Countless green mountains are shining on the edge, and the wind and rain are different from each other. There is a sentence in it that no one can recognize, the Tao and Xiangyang Meng Haoran.
The two quatrains are what Dongpo’s painting is about, and the painter’s Samadhi can do it. It’s not the same as the old words.” The seal is “Dong Xuanzai”
Another inscription: “Xin You visited the Wulin in March, and made these eight scenes in his spare time on the way home. Yang Yanchong, the history of contemporary painting, was at the same time. Xuan Zai knew. He stamped” Xu Zhai approved “
This album was created by Dong Qichang when he was traveling in Wulin (now Hangzhou) in 1621, the first year of tomorrow’s reign. Dong Qichang was 67 years old. The atlas imitates the landscapes of Yang Sheng, Lu Hong, Huichong, Mi Youren, Li Gonglin, Wu Zhen, Ni Zan, Wang Meng and other Tang, Song and Yuan dynasties. The paintings are based on different landscapes of the ancients, and at the same time incorporate the painter’s own feelings about heaven and earth, mountains and rivers. Although similar to the ancients in composition, Dong Qichang pursues a plain and elegant artistic conception and interest in aesthetic taste. For example, imitating the landscape of Yang Sheng in the Tang Dynasty, the method of boneless design is used in the painting, which abandons the gorgeous and colorful landscape of the original author, inherits its antiquity and elegance, and combines rich and bright colors with stable and harmonious tones. The strokes are exquisite and elegant, and the strokes are relaxed and vivid, so that the painting conveys a sense of beauty that is calm but not indifferent, bright but not restless, and has Dong’s own characteristics. Another example is Mi Youren Fu’s painting of the misty rain in Xiaoxiang. He uses Dong and Ju strokes to crack and dye the mountains and rocks. His strokes are calm and steady. Through the changes of the dry and wet ink color, the space sense of distant mountains and near water as well as the changes of misty clouds and mists are reflected. The pens used in trees and houses are varied, the ink color is vivid, and the layers are rich. This kind of landscape of the Mi family described by Dong Qichang is more elegant in plain. Other landscape paintings also reflect the interest of literati paintings pursued by Dong Qichang, which are based on Dong Yuan and Juran. In the archaize landscape painting, he tried to use various painting forms to annotate the ancient method, and at the same time showed the inheritance and development of the ancient method, thus elaborated his own aesthetic view, which is the most important significance of his creation of many archaize landscape paintings. In addition, this work’s inscription on Dong Qichang in Kaizhong is also of important historical value for people to understand Dong Qichang’s art.

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