Zhao Mengfu’s running script ode to wine

[Zhao Mengfu’s Xingshu Jiude Song Volume]

Jiude Song Volume, Yuan Dynasty, Zhao Mengfu’s calligraphy, paper version, Xingshu, 28.5 cm in length, 65.2 cm in width, 19 lines
Interpretation:
There is a great man who takes heaven and earth as one day, takes ten thousand years as an instant, the sun and the moon as the window, and the eight wastes as the court. There is no frog in the road, no room in the house, and the curtain covers the ground. When you stop, you shake the pot and hold it. When you move, you lift the pot. Only wine is the business. How can you know the rest. There was a gentleman, a gentleman and a gentleman, who heard the news of me and discussed the reason. Chen said that the etiquette, right and wrong, stood up and fought with each other, with angry eyes and gnashing teeth. Mr. Fang was so happy that he took the job, drank the wine, and made a full use of it. Wu but drunk, suddenly woke up. Listen to the sound of thunder, and see the shape of Mount Taishan. Do not feel the cutting muscle of cold and heat, the feeling of appetite. Looking down at all things, it is as disturbing as the water on the river. The two noble servants, such as the snail and the moth. On November 21, the third birthday of Yanyou’s third year, he wrote for Qu Zemin. Ziang
This self-knowledge: “On November 21, the third birthday of Yanyou, it was written by Qu Zemin. Zi Ang.” It was sealed by “Zhao Ziang”. There are 26 postscript inscriptions including Sun Xingyan (paragraph 5), Xu Youzhen, Chen Jian, Liu Jue, Yang Xunji, Wen Peng, Wang Zhideng, Weng Fanggang (paragraph 4), Ruan Yuan, etc. There are 15 parties including Dai Zhi, Wu Yun, Gu Wenbin, etc
In the Ming Dynasty, Zhan Jingfeng’s “East Picture Xuanlan”, “Authentic Record of the Day”, Gu Wenbin’s “Record of Calligraphy and Painting in the Cloud Tower”, and Yan Jingxian’s “Catalogue of Calligraphy and Painting in the Sanyu Hall” were recorded
In the third year of Yanyou (1316), Zhao Mengfu was 63 years old
This volume is the full text of Liu Ling’s “Ode to Wine” recorded by Zhao Mengfu for Qu Zemin in the Western Jin Dynasty, with 19 lines in total. Qu Zemin has no test. Liu Ling is one of the “seven sages in the bamboo forest”. His “Ode to Wine” fully reflects the mentality of the literati in the Jin Dynasty. Due to the social unrest and the political persecution of some literati by the rulers, some literati either use wine to drown their sorrows, or use wine to avoid misfortunes, and use wine to vent their dissatisfaction with the current politics
The style of this post is vertical and elegant, and it is also the style of his own family. It is neither fat nor boneless, nor thin, and it is beautiful and elegant. It is superb. It can be said that everyone is old, and it is perfect. It is a masterpiece of Zhao’s calligraphy. As Wen Peng’s postscript said after the post, “If you have a Buddha at the head, you must say ‘Lanting’, I’m afraid you don’t have to talk about Pine Snow.” The postscript of the Ming and Qing dynasties also praised this volume. There are some differences in the Zhaoming Anthology of his school.