Ni Zan Autumn Pavilion Tree Map Axis

[Ni Zan Autumn Pavilion Tree Painting Axis]

Autumn Pavilion Tree Painting Axis, Yuan Dynasty, Ni Zan painting, paper edition, ink brush, 114 cm vertically and 34.3 cm horizontally
In the picture, there are flat slopes and distant hills, grass pavilions and trees, and a corner of Tingzhu is exposed on the vast river surface. It is quiet and elegant, as if shrouded in a moonlight. The picture is composed in three sections. The pen is sharp and elegant. The trunk of the tree is double hooked. It is slightly chapped and dyed, and the leaf dotting method is full of changes. The ink color is relatively dry and light, and only points the moss with thick ink to put forward the spirit, which adds some vitality to the silent picture
The self-title of this painting is: “On the sixth of July, the rain covered the clouds and the Weng lived in seclusion. Wen Bo Xianliang used this paper to draw a picture of the beautiful trees in the autumn pavilion and wrote a poem to give it to him. The rain and the wind were cool in the evening, and the two beautiful trees were close to the window. There was no way to get the end of the human world, and it implied that the drunken country was really happy. The residual clouds in the south zhu stayed in the empty window, and the green shadow of the west mountain fell on the autumn river. The color of the river was faint, and suddenly there were two white cranes with smoke. Zan.”
There are two inscriptions of Wu Kuan and Zhu Guo on the poem pond in this volume. It was once collected by the Qing government.