“Flying Thunder” Qin

[“Benlei” Qin]

“Benlei” Qin, Southern Song Dynasty, with a total length of 126.6 cm, a hidden space of 117.2 cm, a forehead width of 18.5 cm, a shoulder width of 20 cm, a tail width of 15.6 cm, and a thickness of 5.2 cm
“Benlei” piano, Zhongni style, tung wood chopping, full-body black paint, purple paint repair. The antler gray fetus is thin and firm, and the cow hair is broken between the belly of the small snake. Rectangular pond, clam emblem, oxhorn foot, ivory bar, red sandalwood tail. It is also a piano with a shrug of shoulders. The only way is to shrug and not feel narrow. It is also unusual, especially for those who have no phoenix tongue. Qin is the old collection of Song Jinghan, a pianist in Tianjin
Inscription on the back of the piano. On the top of the Longchi is carved the name of the ancient seal lute “Running Thunder”. Song Jinghan beside the pond wrote two poems: “How many times have you traveled from the north to the west, can you meet a famous lute? Can you ask for it? Running Thunder has no intention of meeting happily, and you can’t get paid for it for many years.” “After a long time, the wind and the crane can’t bear to sigh, and one stroke of running Thunder can make you double credit. You have become a partner for thirty years, and you can’t leave him alone.” Under the pond is carved a postscript of Zhu Baocheng and a small print of two. Zhu Baocheng’s postscript: “Zhou Mi’s Audiovisual Copy lists the seventeen beds of the famous zither in the north, and one of them says, ‘Run Lei Fan Zemin’s zither, be the first.’ The old friend Song Junjing Han got it 30 years ago, and always teased me. At the age of 80, he wrote two poems for the zither, and engraved it with his joy, so as to make the snow claw cloud. Tianfeng resident Zhu Baocheng.” The small seal is engraved with the words “Zhu” and “Baocheng”. The right side of the postscript is engraved with the words “the 15th day of the first month of 1911 in the summer calendar”, and the left side is engraved with the words “four years old in 1959”. In 1983, he entered the Palace Museum



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