“Jiuxiao Huanpei” Qin

[“Jiuxiao Huanpei” Qin]

“Jiuxiao Huanpei” Qin, Tang, Fuxi style, with a total length of 124 cm, a hidden space of 114.2 cm, a forehead width of 21.8 cm, a shoulder width of 21.2 cm, a tail width of 15.4 cm, and a thickness of 5.8 cm
This piano is the work of Lei Shi in the prosperous Tang Dynasty. The zither has wutong as its surface and fir as its bottom. The whole body is painted with purple paint, and the surface and bottom are mostly painted with large pieces of red paint, with small snake belly broken lines, and pure antler gray fetus. Longchi and Fengnuo are flat and round, and the sound is raised in the abdomen. When the pool is concave, it is in the shape of a round bottom and a long groove, which runs through the sound. The clam emblem, the rosewood bar, the white jade foot are exquisitely carved, and the red sandalwood tail. The guard bar is also made of red sandalwood, which may be installed by Xu Qi, a pianist from Guangling in the Qing Dynasty
At the bottom of the zither is the name of the zither “Jiuxiao Huanpei” in the seal script above the dragon pool, and at the bottom is the seal script “including” in the seal script. On the right side of the pool are the running script “Lingran Xitaigu. Collection of Poetry Dream Studio” and “Seal of Poetry Dream Studio”. Chi Zuo’s running script:
Tingjian
The running script above the piano foot:
The warm spring breeze is fine, and the sound is loud and loud
The curtain is hanging and the new swallows are singing
Records of Su Shi
There is a rectangular seal of “Three Tang Qin Pavilion” on the top of the Phoenix Marsh, and a square of “Chu Yuan Tibetan Qin” on the bottom
The collectors of this zither can be traced back to the late Qing Dynasty and the early Republic of China, Yehernara Fonyinbu, whose name is Heting, and the later Yi surname is Ye, whose name is Qian, whose name is Hefu, and whose name is Shimengzhai. Later, the collectors included Aixinjueluo Pudong, the “owner of the Red Bean Pavilion”, and Liu Shiheng, who engraved “Chu Yuan Zang Qin” and “Three Tang Qin Pavilion” on the Qin, then passed on the Si of the Son, and finally returned to Liu Huizhi. In 1952, Zheng Zhenduo, Director of the Cultural Relics Bureau, presided over the purchase of the Forbidden City from the Liu family

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