Wang Jun opens the Baoxie Cliff Carving

[Xijun opened the stone carving on the cliff of the Baoxie Road]

Vertical: 24cm, horizontal: 31cm
This is the Ming rubbings, which are fifty-one Kai, and the three words “Julu” and “Ye” are undamaged
The stone inscription was carved in the sixth year of Yongping in the Han Dynasty (63 years). The inscription records the fact that in the sixth year of the reign of Han Yongping, the governor of Hanzhong, was ordered to repair and praise the ramps. The official script font has the seal power, which is simple and vigorous. According to Liu Xizai’s “Art Survey”, “The opening of the stone carving on the Baoxie Road” is the ancient part of Li “, and Kang Youwei’s” Guangyi Boat Double Boats “,” The seal character in Li “, Yang Shoujing said in the” Pingbeiji “,” The characters are wide and narrow, and uneven, and the natural ancient style is as beautiful as the stone pattern, and it can’t be imitated from generation to generation, which is called the miracle. “The cliff was originally at the north stone gate of Baocheng, Shaanxi Province, and is now in the Hanzhong Museum, Shaanxi Province
The cliff is sealed by moss for a long time, so no one knows it. In March of the fifth year of Guangzong Shaoxi’s reign in the Southern Song Dynasty (1194), it was discovered by Linzi Yanmao, the magistrate of Nanzheng County, and a long inscription was carved beside it. But for more than 600 years after that, it was covered with moss and no one cared. During the Qianlong period of the Qing Dynasty, Bi Yuan, the governor of Shaanxi Province and the gold and stone expert, wrote the “Records of the Gold and Stone in the Central Shaanxi Plain”, which was obtained through repeated searches and visits, and the rubbings were handed down. At this time, it was not mentioned in the three catalogues of Ou, Zhao and Hong before Yan Mao, and it was not recorded until Lou Ji in the Southern Song Dynasty, “The Source of Hanli Characters”. The Chinese characters, together with “Ode to Shimen”, “Ode to Xixia” and “Ode to Fuge”, are famous cliffs in the Han Dynasty, and are the earliest. The content of the inscription has important historical value, and the calligraphy has its own characteristics. The knot is ancient and broad. Because of the natural stone potential, the size of the characters and the length and thickness of the strokes are uneven. There are no waves. It is naive, simple and powerful, and retains many characteristics of the early official script
Huang Yi’s bibliography of small Penglai Pavilion


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