Period:Qing dynasty Production date:1700-1750
Materials:porcelain
Technique:glazed
Dimensions:Height: 490 millimetres
Description:
Dehua porcelain figure of a standing Buddha, with elongated ear-lobes, a necklace with a swastika in the centre, and tight curled raised rings of hair with an ‘ushnisha’ on top of the head.
IMG
![图片[1]-figure BM-PDF.414-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00366232_001.jpg)
![图片[2]-figure BM-PDF.414-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00366233_001.jpg)
Comments:Room 95 label text:PDF 414 Figure of BuddhaPotters made figures of gods and goddesses for domestic altars as well as to export at the Dehua kilns. Originally the figures were probably made as cheap alternatives to ivory carvings of deities also made in Fujian. Porcelains from Dehua were exported to Europe as evidenced by excavations, shipwrecks, shipping lists and inventories of possessions. They were also made for the domestic market. Figures of Guanyin, the Goddess of Mercy, are quite common but images of the Buddha are comparatively rare. Many of these bear the marks of individual potters or their families. This figure has a gourd shaped mark on the back.Porcelain moulded and carved with transparent glazeDehua ware 德化窯Dehua, Fujian province 德化，福建省Qing dynasty, about AD 1700–1750 PDF 414白釉佛像德化窯陶工製作的陶瓷神像不僅供國內供奉，也遠銷境外。在福建，陶瓷塑像的出現原本是為了替代象牙雕塑，因其成本更低。考古發掘、沉船、貨運清單及財產清單皆可作為證據，證明德化窯陶瓷曾經銷往歐洲。當然，德化窯在國內市場也有銷售，如觀音塑像就相當流行，而佛像相對較少。許多塑像都印有工匠個人或家族的款識，此尊佛像背後有葫蘆形款。瓷器，模塑，雕刻，透明釉德化窯福建省德化清代，約1700-1750年
Materials:porcelain
Technique:glazed
Dimensions:Height: 490 millimetres
Description:
Dehua porcelain figure of a standing Buddha, with elongated ear-lobes, a necklace with a swastika in the centre, and tight curled raised rings of hair with an ‘ushnisha’ on top of the head.
IMG
Comments:Room 95 label text:PDF 414 Figure of BuddhaPotters made figures of gods and goddesses for domestic altars as well as to export at the Dehua kilns. Originally the figures were probably made as cheap alternatives to ivory carvings of deities also made in Fujian. Porcelains from Dehua were exported to Europe as evidenced by excavations, shipwrecks, shipping lists and inventories of possessions. They were also made for the domestic market. Figures of Guanyin, the Goddess of Mercy, are quite common but images of the Buddha are comparatively rare. Many of these bear the marks of individual potters or their families. This figure has a gourd shaped mark on the back.Porcelain moulded and carved with transparent glazeDehua ware 德化窯Dehua, Fujian province 德化，福建省Qing dynasty, about AD 1700–1750 PDF 414白釉佛像德化窯陶工製作的陶瓷神像不僅供國內供奉，也遠銷境外。在福建，陶瓷塑像的出現原本是為了替代象牙雕塑，因其成本更低。考古發掘、沉船、貨運清單及財產清單皆可作為證據，證明德化窯陶瓷曾經銷往歐洲。當然，德化窯在國內市場也有銷售，如觀音塑像就相當流行，而佛像相對較少。許多塑像都印有工匠個人或家族的款識，此尊佛像背後有葫蘆形款。瓷器，模塑，雕刻，透明釉德化窯福建省德化清代，約1700-1750年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
