Period:Qing dynasty Production date:18thC-19thC
Materials:porcelain
Technique:glazed
Dimensions:Height: 265 millimetres
Description:
Dehua porcelain figure of a standing Bodhidharma, hollow on the interior, thickly made and heavy. The figure has ivory white body with a pinkish toned glaze.
IMG
Comments:Published PDF date : Ming 17th century Room 95 label text:PDF 413Figure of BodhidharmaPotters made figures of gods and goddesses for domestic altars as well as to export at the Dehua kilns. Originally the figures were probably made as cheap alternatives to ivory carvings of deities also made in Fujian. This figure of Bodhidharma has an impressed seal mark on the back. This is a maker’s mark of an individual potter. Most Chinese ceramics are not marked by their makers.Porcelain moulded and carved with transparent glazeDehua ware 德化窯Dehua, Fujian province 德化, 福建省Qing dynasty, about AD 1700–1900 PDF 413白釉達摩塑像德化窯陶工製作的陶瓷神像不僅供國內供奉,也遠銷境外。在福建,陶瓷塑像的出現原本是為了替代象牙雕塑,因其成本更低。此尊達摩塑像背後有印款,為工匠個人款識。大多數中國陶瓷作品並不署工匠款。瓷器,模塑,雕刻,透明釉德化窯福建省德化清代,約1700-1900年
Materials:porcelain
Technique:glazed
Dimensions:Height: 265 millimetres
Description:
Dehua porcelain figure of a standing Bodhidharma, hollow on the interior, thickly made and heavy. The figure has ivory white body with a pinkish toned glaze.
IMG
Comments:Published PDF date : Ming 17th century Room 95 label text:PDF 413Figure of BodhidharmaPotters made figures of gods and goddesses for domestic altars as well as to export at the Dehua kilns. Originally the figures were probably made as cheap alternatives to ivory carvings of deities also made in Fujian. This figure of Bodhidharma has an impressed seal mark on the back. This is a maker’s mark of an individual potter. Most Chinese ceramics are not marked by their makers.Porcelain moulded and carved with transparent glazeDehua ware 德化窯Dehua, Fujian province 德化, 福建省Qing dynasty, about AD 1700–1900 PDF 413白釉達摩塑像德化窯陶工製作的陶瓷神像不僅供國內供奉,也遠銷境外。在福建,陶瓷塑像的出現原本是為了替代象牙雕塑,因其成本更低。此尊達摩塑像背後有印款,為工匠個人款識。大多數中國陶瓷作品並不署工匠款。瓷器,模塑,雕刻,透明釉德化窯福建省德化清代,約1700-1900年
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