Period:Qing dynasty Production date:1736-1795
Materials:porcelain
Technique:underglazed, painted,
Dimensions:Diameter: 76 millimetres Height: 39 millimetres
Description:
Porcelain cup in the form of a Ming doucai ‘Chicken cup’. Decorated in doucai style with underglaze blue outlines and washes, and overglaze iron red, yellow, black and green enamels. Outside painted with cockerel and hen with five chicks in a landscape. There is a mark on the base.
IMG
![图片[1]-cup BM-PDF-A.714-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00387624_001.jpg)
Comments:Published PDF date : Qing Qianlong 1736-1795 Room 95 label text:PDF A714Doucai ‘Chicken cup’ Artists depicted the theme of a hen pecking for food with her chicks first in paintings and these probably inspired the porcelain versions. This cup is a Qing dynasty, Qianlong period copy of a Ming doucai cup. Decorators of the Ming examples used layers of coloured enamels to suggest different textures, but the development of a palette of opaque enamels in the Qing dynasty allowed shading as we see here. There is an apocryphal six-character Chenghua mark in a double rectangle in pale underglaze blue on the base.Porcelain with underglaze blue and overglaze iron-red, yellow, black and green enamelsJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Qianlong period, AD 1736-1795 PDF A714鬥彩雞缸杯藝術家們首先是在繪畫中描繪母雞帶雞雛啄食的主題，這或許啟發了此類題材在瓷器上的表現。這件器物是清代乾隆時期仿明代鬥彩瓷杯。明代瓷器的畫工用多層有色彩料來表現不同的質感，但是清代發展的乳濁彩料色系，使不同色差得以體現，正如這件瓷杯所示。外底雙方框內用淡色青花署六字成化寄託年款。瓷器，青花，釉上鐵紅、黃、黑及綠彩江西省景德鎮清代，乾隆，1736–1795年
Materials:porcelain
Technique:underglazed, painted,
Dimensions:Diameter: 76 millimetres Height: 39 millimetres
Description:
Porcelain cup in the form of a Ming doucai ‘Chicken cup’. Decorated in doucai style with underglaze blue outlines and washes, and overglaze iron red, yellow, black and green enamels. Outside painted with cockerel and hen with five chicks in a landscape. There is a mark on the base.
IMG
Comments:Published PDF date : Qing Qianlong 1736-1795 Room 95 label text:PDF A714Doucai ‘Chicken cup’ Artists depicted the theme of a hen pecking for food with her chicks first in paintings and these probably inspired the porcelain versions. This cup is a Qing dynasty, Qianlong period copy of a Ming doucai cup. Decorators of the Ming examples used layers of coloured enamels to suggest different textures, but the development of a palette of opaque enamels in the Qing dynasty allowed shading as we see here. There is an apocryphal six-character Chenghua mark in a double rectangle in pale underglaze blue on the base.Porcelain with underglaze blue and overglaze iron-red, yellow, black and green enamelsJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Qianlong period, AD 1736-1795 PDF A714鬥彩雞缸杯藝術家們首先是在繪畫中描繪母雞帶雞雛啄食的主題，這或許啟發了此類題材在瓷器上的表現。這件器物是清代乾隆時期仿明代鬥彩瓷杯。明代瓷器的畫工用多層有色彩料來表現不同的質感，但是清代發展的乳濁彩料色系，使不同色差得以體現，正如這件瓷杯所示。外底雙方框內用淡色青花署六字成化寄託年款。瓷器，青花，釉上鐵紅、黃、黑及綠彩江西省景德鎮清代，乾隆，1736–1795年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
