Period:Qing dynasty Production date:18thC
Materials:porcelain
Technique:underglazed, painted,
Dimensions:Diameter: 37 millimetres Height: 32 millimetres
Description:
Porcelain globular box with cover. There is a persimmon flower, stalk and leaves in underglaze blue and overglaze red, purple and green enamel on the cover. There is a mark on the base.in underglaze blue.
IMG
![图片[1]-box BM-PDF.711-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00382465_001.jpg)
![图片[2]-box BM-PDF.711-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00382466_001.jpg)
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF 711Box with persimmonThe top of this box is painted with a persimmon. Persimmons are a Chinese symbol of prosperity. There is an apocryphal six-character Chenghua mark in a single circle in underglaze blue on the base.Porcelain decorated with underglaze blue with overglaze red, purple and green enamelsJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, about AD 1700–1800 PDF 711柿紋盒此盒盒頂繪柿紋。柿子在中國為繁盛的象徵。器底青花單圈內署成化六字偽託年款。瓷器，青花，釉上紅、紫及綠彩江西省景德鎮清代，約1700-1800年
Materials:porcelain
Technique:underglazed, painted,
Dimensions:Diameter: 37 millimetres Height: 32 millimetres
Description:
Porcelain globular box with cover. There is a persimmon flower, stalk and leaves in underglaze blue and overglaze red, purple and green enamel on the cover. There is a mark on the base.in underglaze blue.
IMG
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF 711Box with persimmonThe top of this box is painted with a persimmon. Persimmons are a Chinese symbol of prosperity. There is an apocryphal six-character Chenghua mark in a single circle in underglaze blue on the base.Porcelain decorated with underglaze blue with overglaze red, purple and green enamelsJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, about AD 1700–1800 PDF 711柿紋盒此盒盒頂繪柿紋。柿子在中國為繁盛的象徵。器底青花單圈內署成化六字偽託年款。瓷器，青花，釉上紅、紫及綠彩江西省景德鎮清代，約1700-1800年
© Copyright
The copyright of the article belongs to the author, please keep the original link for reprinting.
THE END
![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
