Period:Qing dynasty Production date:1723-1735
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 127 millimetres Height: 63 millimetres
Description:
Porcelain bowl. The bowl has a fine white body. There are prunus trees in blossom painted in sepia, a poem of ten characters in black, and three seals in pink enamel on the exterior. A pair with PDF 827.
IMG
![图片[1]-bowl BM-PDF.828-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00442861_001.jpg)
![图片[2]-bowl BM-PDF.828-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00442863_001.jpg)
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF 828Bowl with prunus flowers and poems Under court instructions, this bowl was decorated in shades of black enamel with winter-flowering plum trees, a ten character poem and with three puce enamel seals. Sir Percival David bought them from Alfred E. Hippisley (AD 1848–1939), a British Customs official in China who translated the poems in AD1900. A century later, the poem月幌見踈影, 墨池聞暗香 (yue huang jian shu ying; mo chi wen an xiang) translates more literally as ‘The moon ripples (and I) see the shadow of a branch moving; at the ink-black pool you can smell the secret fragrance’. The seal before the poems reads 先春 (xian chun ‘early spring’); and the two after the poem read 古月(guyue ‘ancient moon’); and 香清 (xiang qing ‘pure fragrance’). The winter-flowering plum design derives from traditional and contemporary Qing ink painting. On the base is a four-character Yongzheng mark in a double square in blue enamel. Porcelain with transparent glaze made in Jingdezhen, Jiangxi province, overglaze enamels added in Beijing素瓷器: 江西景德鎮燒製; 北京加琺瑯彩Qing dynasty, Yongzheng mark and period, AD1723–35 PDF 827/PDF 282梅花詩文碗按照朝廷的旨意，這對碗以深淺不同的黑彩來描繪冬季盛開的梅花，並配有兩句五言短詩及三枚褐色印章。大維德爵士當年從阿佛萊德∙希皮斯裏先生（Alfred E. Hippisley, 1842-1940年）處買下了這對碗。希皮斯裏曾是英國海關駐中國官員，他曾在1900年翻譯過這首詩：“月幌見踈影，墨池聞暗香。”詩首有一枚方章，曰：“先春”；詩末則有兩枚印章，曰：“古月”、“清香”。這首18世紀短詩的靈感可能來自於北宋初年著名隱逸詩人林逋（965-1026年）的名句。林逋生性淡漠名利，經常將詩作隨手丟棄。純以黑彩來描繪盛放的梅花，使人直接聯想到同時期傳統的清代水墨畫。這對品質卓越的碗非常罕見。在北京與臺北故宮博物院的皇家珍藏以外極少發現。窯工們在景德鎮禦窯廠燒制出白瓷胎，而北京皇宮的宮廷畫師們在白瓷胎上加彩作畫，再放入低溫爐內二次燒成。過去的學者和收藏家們稱這種頂級品質、在皇宮內加彩的瓷器為“古月軒”器。雖然“古月”印章的確出現在這類瓷器的某些器物上，但最近的研究現實清宮其實並沒有名為“古月軒”的地方，故“古月軒”器這一術語逐漸不再使用。現在，它們更多地被稱為“琺瑯彩”。這對碗底部帶藍料雙框四字“雍正年制”款。瓷器，江西省景德鎮燒素面白瓷，北京加釉上琺瑯彩清代，雍正，雍正款，1723-1735年
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 127 millimetres Height: 63 millimetres
Description:
Porcelain bowl. The bowl has a fine white body. There are prunus trees in blossom painted in sepia, a poem of ten characters in black, and three seals in pink enamel on the exterior. A pair with PDF 827.
IMG
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF 828Bowl with prunus flowers and poems Under court instructions, this bowl was decorated in shades of black enamel with winter-flowering plum trees, a ten character poem and with three puce enamel seals. Sir Percival David bought them from Alfred E. Hippisley (AD 1848–1939), a British Customs official in China who translated the poems in AD1900. A century later, the poem月幌見踈影, 墨池聞暗香 (yue huang jian shu ying; mo chi wen an xiang) translates more literally as ‘The moon ripples (and I) see the shadow of a branch moving; at the ink-black pool you can smell the secret fragrance’. The seal before the poems reads 先春 (xian chun ‘early spring’); and the two after the poem read 古月(guyue ‘ancient moon’); and 香清 (xiang qing ‘pure fragrance’). The winter-flowering plum design derives from traditional and contemporary Qing ink painting. On the base is a four-character Yongzheng mark in a double square in blue enamel. Porcelain with transparent glaze made in Jingdezhen, Jiangxi province, overglaze enamels added in Beijing素瓷器: 江西景德鎮燒製; 北京加琺瑯彩Qing dynasty, Yongzheng mark and period, AD1723–35 PDF 827/PDF 282梅花詩文碗按照朝廷的旨意，這對碗以深淺不同的黑彩來描繪冬季盛開的梅花，並配有兩句五言短詩及三枚褐色印章。大維德爵士當年從阿佛萊德∙希皮斯裏先生（Alfred E. Hippisley, 1842-1940年）處買下了這對碗。希皮斯裏曾是英國海關駐中國官員，他曾在1900年翻譯過這首詩：“月幌見踈影，墨池聞暗香。”詩首有一枚方章，曰：“先春”；詩末則有兩枚印章，曰：“古月”、“清香”。這首18世紀短詩的靈感可能來自於北宋初年著名隱逸詩人林逋（965-1026年）的名句。林逋生性淡漠名利，經常將詩作隨手丟棄。純以黑彩來描繪盛放的梅花，使人直接聯想到同時期傳統的清代水墨畫。這對品質卓越的碗非常罕見。在北京與臺北故宮博物院的皇家珍藏以外極少發現。窯工們在景德鎮禦窯廠燒制出白瓷胎，而北京皇宮的宮廷畫師們在白瓷胎上加彩作畫，再放入低溫爐內二次燒成。過去的學者和收藏家們稱這種頂級品質、在皇宮內加彩的瓷器為“古月軒”器。雖然“古月”印章的確出現在這類瓷器的某些器物上，但最近的研究現實清宮其實並沒有名為“古月軒”的地方，故“古月軒”器這一術語逐漸不再使用。現在，它們更多地被稱為“琺瑯彩”。這對碗底部帶藍料雙框四字“雍正年制”款。瓷器，江西省景德鎮燒素面白瓷，北京加釉上琺瑯彩清代，雍正，雍正款，1723-1735年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
