Period:Qing dynasty Production date:1644-1661
Materials:porcelain
Technique:glazed, painted, underglazed,
Dimensions:Diameter: 194 millimetres Height: 89 millimetres
Description:
Porcelain bowl with curving sides and everted rim, on a straight footring. There is a flower spray in Sancai-style yellow, green and pale aubergine on-biscuit enamels in the centre of the interior, and sprays of chrysanthemum, camellia, hydrangea and lotus round the walls. There are figures in a landscape on the exterior. There is a mark in underglaze blue on the base.
IMG
![图片[1]-bowl BM-PDF.739-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00382716_001.jpg)
![图片[2]-bowl BM-PDF.739-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00382726_001.jpg)
Comments:Published PDF date : Qing Kangxi 1662-1722 Room 95 label text:PDF 739Bowl with Buddhist figuresMing emperors appear to have favoured bright, colourful, schemes for their buildings, costumes and furnishings. This bowl with Buddhist figures has colours applied directly to the biscuit-fired porcelain body. This lends the enamels a darker hue than those first coated with a layer of glaze and fired before the enamels were added and the piece was fired again. The base carries an apocryphal underglaze blue Jiajing reign mark.Porcelain with on-the-biscuit green, yellow, aubergine and black enamelsJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Shunzhi period AD 1644–1662 PDF 739佛教人物紋碗明代皇帝似乎更偏愛在其建築、服飾及家居中使用明亮的和色彩豐富的搭配組合。此碗直接於無釉素燒瓷胎上繪彩色佛教人物。與先罩一層釉燒制，然后添加釉彩後再行燒制的方式相比，這種技法燒制後釉彩呈色較深。器底署青花嘉靖偽託年款。瓷器，素燒胎綠、黃、茄皮紫及黑彩江西省景德鎮清代，順治，1644-1662年
Materials:porcelain
Technique:glazed, painted, underglazed,
Dimensions:Diameter: 194 millimetres Height: 89 millimetres
Description:
Porcelain bowl with curving sides and everted rim, on a straight footring. There is a flower spray in Sancai-style yellow, green and pale aubergine on-biscuit enamels in the centre of the interior, and sprays of chrysanthemum, camellia, hydrangea and lotus round the walls. There are figures in a landscape on the exterior. There is a mark in underglaze blue on the base.
IMG
Comments:Published PDF date : Qing Kangxi 1662-1722 Room 95 label text:PDF 739Bowl with Buddhist figuresMing emperors appear to have favoured bright, colourful, schemes for their buildings, costumes and furnishings. This bowl with Buddhist figures has colours applied directly to the biscuit-fired porcelain body. This lends the enamels a darker hue than those first coated with a layer of glaze and fired before the enamels were added and the piece was fired again. The base carries an apocryphal underglaze blue Jiajing reign mark.Porcelain with on-the-biscuit green, yellow, aubergine and black enamelsJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Shunzhi period AD 1644–1662 PDF 739佛教人物紋碗明代皇帝似乎更偏愛在其建築、服飾及家居中使用明亮的和色彩豐富的搭配組合。此碗直接於無釉素燒瓷胎上繪彩色佛教人物。與先罩一層釉燒制，然后添加釉彩後再行燒制的方式相比，這種技法燒制後釉彩呈色較深。器底署青花嘉靖偽託年款。瓷器，素燒胎綠、黃、茄皮紫及黑彩江西省景德鎮清代，順治，1644-1662年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
