Qianlong style imitation vermilion lacquer chrysanthemum petal plate

[Qianlong style imitation red lacquer chrysanthemum petal type plate]

Qianlong style imitation red lacquer chrysanthemum petal type plate, Qing Dynasty Qianlong style, height 3.4 cm, caliber 16.8 cm, foot diameter 9.9 cm
Openness, shallow belly, and rounded feet. The plate is in the shape of a chrysanthemum petal, and both the inner and outer walls of the plate are painted with imitation red lacquer glaze. The outsole is painted with imitation black paint and is stamped with a gold colored regular script with six characters and three lines of “Qing Dynasty Qianlong Antique”. The inner bottom is slightly raised and inscribed with gold color on the poem made by the Emperor Qianlong: “The painting under the Wu Dynasty is incomparable in craftsmanship, and it is imitated or even replaced by old ones. It was made of wood and tin, and the finished objects were carefully carved and polished. The doctor’s article used Xie Qing as a metaphor, and the immortals’ faces blushed and blushed. According to Gu Ningsi, the master of the matter, there were many poems that were intended to be written in literary style and were ashamed. The Emperor Qianlong’s Jiawu inscriptions were inscribed on the poem.” The following inscription was made on the seal, imitating the characters “Qian” and “Long”
The Jiawu Festival of Qianlong refers to the 39th year of Qianlong (1774). During the Qianlong period, porcelain was created and fired to imitate various handicrafts, and its color and texture were very similar to those of the imitated objects. Lacquer imitations include imitation red lacquer, imitation carved lacquer, imitation black lacquer painted with gold, and lacquer inlaid with mother-of-pearl inlay. Most of them are found in plates and bowls
The imitation black lacquer glaze applied to the outer bottom of this imitation red lacquer plate more accurately expresses the technological characteristics of lacquer products, reflecting the ease with which potters were able to use the glaze preparation, firing temperature, and atmosphere during the Qianlong period. Emperor Qianlong greatly appreciated this work and wrote poems for it.

乾隆款仿朱漆菊瓣式盘内御制诗乾隆款仿朱漆菊瓣式盘底款