Yixing kiln purple sand clay painted with reed and wild goose patterns hexagonal tea pot

[Yixing Kiln Purple Sand Moulding Mud Painted with Lu Yan Pattern Six Square Tea Pot]

Yixing Kiln Purple Sand Moulding Mud Painted with Lu Yan Pattern Six Square Tea Pot, Qing Qianlong, 16.2 cm in height, 4 cm in diameter, and 4.7 cm in foot diameter
The tank body is hexagonal, with an umbrella shaped cover attached. The top of the cover is equipped with a button. The cover, button, and foot are all hexagonal. Oblique arc abdomen, lip, short neck, and circular foot. Vermilion red sand and mud. The six sides of the abdomen are painted with a landscape of reeds and wild geese. On the sparkling lake, clusters of reeds are swaying in the breeze. A group of wild geese fly to the water, making flying, singing, feeding, and sleeping patterns. The entire picture is painted with a pile of fine and moist mud, and the picture is slightly convex, full of three-dimensional feeling
Lu Yan patterns are one of the common themes in Chinese literati paintings. There were palace paintings with Lu Yan patterns during the Huizong period of the Song Dynasty, and they were widely used in the decoration of arts and crafts during the Ming and Qing dynasties. The use of mud to pile up the patterns of reeds and geese in palace purple sand is more introverted and subtle than ordinary paintings, highlighting the beauty of the texture of purple sand mud. It is quiet and elegant, with a long meaning, emitting an endless scholarly atmosphere